A study of Diegesis and Mimesis in Andrei Tarkovsky's Stalker (1979) - with reference to Time and the Frame
Cleary, Lorraine.
A study of Diegesis and Mimesis in Andrei Tarkovsky's Stalker (1979) - with reference to Time and the Frame [thesis] Lorraine Cleary. - Limerick : Limerick School of Art and Design/LIT ; 2014. - [44] p. : col. ill. : 30cm
Thesis submitted for B.A. Hons in Fine Art ((Sculpture & Combined Media)) 2014.
Includes bibliographical References
This essay endeavour's to discuss the formal elements in the filmic consturction of Stalker, a film directed by Andrei Tarkovsky. In analysisng the film aesthetic of Stalker, an attempt is made to demonstrate the importance of how art is positioned in relation to the viewer, illustrating Tarkovsky's relevance to contemporary art practice.
Theses--LSAD--Clare Street.
Fine art theses.
Mimesis in motion pictures.
Tarkowskij, Andrej, 1932-1986.
Thesis Fine Art 14/04
A study of Diegesis and Mimesis in Andrei Tarkovsky's Stalker (1979) - with reference to Time and the Frame [thesis] Lorraine Cleary. - Limerick : Limerick School of Art and Design/LIT ; 2014. - [44] p. : col. ill. : 30cm
Thesis submitted for B.A. Hons in Fine Art ((Sculpture & Combined Media)) 2014.
Includes bibliographical References
This essay endeavour's to discuss the formal elements in the filmic consturction of Stalker, a film directed by Andrei Tarkovsky. In analysisng the film aesthetic of Stalker, an attempt is made to demonstrate the importance of how art is positioned in relation to the viewer, illustrating Tarkovsky's relevance to contemporary art practice.
Theses--LSAD--Clare Street.
Fine art theses.
Mimesis in motion pictures.
Tarkowskij, Andrej, 1932-1986.
Thesis Fine Art 14/04