MARC details
| 000 -LEADER |
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| fixed length control field |
02238nam a2200301 a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
2017 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
Thesis Print 05/17 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Lemasney, Finbarr. |
| 245 14 - TITLE STATEMENT |
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| Title |
The art world's reponse to the demise of the "easel picture", a move from form to content. |
| Medium |
[Extended Essay] |
| Statement of responsibility, etc. |
Finbarr Lemasney. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Limerick : |
| Name of publisher, distributor, etc. |
Limerick School of Art and Design/LIT ; |
| Date of publication, distribution, etc. |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
45p. : |
| Other physical details |
col. ill. : |
| Dimensions |
30cm |
| 502 ## - DISSERTATION NOTE |
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| Dissertation note |
Thesis submitted for B.A. Hons Degree in Fine Art (Printmaking and Contemporary Practice) 2017. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Theories of art differ from each other in what they allege to be the real purpose of art, but they all agree that art is a means to some end. So, what counts is not the nature of the work of art but effect upon the audience. Art may be sensory such as the formalistic modern art Greenberg describes or social such as Participatory art. My thesis in this essay is that art while attempting to become socially engaging has sacrificed those formal aspects which make the art engaging to the viewer and so has lost relevance to the general population. I also suggest that in using shock as a tactic to challenge the complacencies of our society, contemporary art habituates us to the very aspects of society that it tries to challenge. I finish by discussing the participatory art piece "I Love Austria". I think that this piece works in engaging its audience, in part anyway, because the it is staged fulfils many of the criteria of formal art. [Abstract]. |
| 600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Adorno, Theo. |
| 600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Schlingensief, Christoph. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Theses |
| General subdivision |
LSAD |
| Geographic subdivision |
Clare Street. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Fine art theses. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
What is Modernist Formal Art? |
| 650 00 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Conceptual Art. |
| 9 (RLIN) |
1990 |
| 650 00 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Transgressional Art. |
| 650 00 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Relational Aesthetics and Social engagement. |
| 650 00 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Participatory |
| Form subdivision |
Performance Art. |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
171006 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b1251035x |
| b |
clare |
| c |
clare |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Suppress in OPAC |
0 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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| Operator's initials, OID (RLIN) |
0 |
| Cataloger's initials, CIN (RLIN) |
170630 |
| First Date, FD (RLIN) |
m |
| Local |
g |
| -- |
- |
| -- |
4 |