Revisions an alternative history of photography
Material type: TextPublication details: London Lund Humphries 1999ISBN:- 094848960X
- 770.9 JEF
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
3 Day Loan | LSAD Library Short Loan | 770.9 JEF (Browse shelf(Opens below)) | 1 | Available | 39002000183351 |
Enhanced descriptions from Syndetics:
In this fascinating book Ian Jeffrey proposes a new and powerful history of photography. He presents an account which identifies both technical and aesthetic advances which have played a specific part in driving forward the photographic agenda, some hitherto ignored or even dismissed as trivial. Each advance is considered within the broadest social, scientific, aesthetic, even literary context, thereby demonstrating how photography and the 'unconscious' culture are inseparable.
Table of contents provided by Syndetics
- Foreword
- Preface
- Actualities in 1839
- Fox Talbot and Art's Intentions
- Calvert Richard Jones: Joiners and Places Apart
- Daguerreotypes: Private Experience
- Sublime Spaces: Waxed paper and Albumen
- Photomicrography
- The Stereo Revolution
- The Anthonys and New York City
- The Alps and the West
- City Lights
- Celestial Photography
- Lunar Objects
- Chronophotography: Stopping Time
- Moments of Impact
- Snapshot Photography
- City Streets
- Cockney Snaps
- X-ray or New Photography
- Discovering Colour
- Wirephotos
- Aerial Pictures
- The Modernist Stage
- Transparency and Touch
- New Motifs: the A-bomb
- The Age of Transmission
- Vietnam
- Post-photography