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The practice of cultural analysis : exposing interdisciplinary interpretation / edited by Mieke Bal with the assistance of Bryan Gonzales.

By: Contributor(s): Material type: TextTextSeries: Cultural memory in the presentPublication details: Stanford, Calif. : Stanford University Press, 1999.Description: xix, 392 p. : ill. ; 24 cmISBN:
  • 0804730660 (cloth : acidfree paper)
  • 0804730679 (pbk. : acid-free paper)
Subject(s): DDC classification:
  • 306 BAL
Contents:
Prelude : Dia-logic--a dialogue in images between Edwin Janssen and Janneke Lam / Janneke Lam -- Finishing touch / Evelyn Fox Keller -- Vermeer\'s women : shifting paradigms in midcareer / Nanette Salomon -- Le cinéma d\'après Lumière : rereading the origins of the filmic image / Thomas Elsaesser -- Killing men and dying women : gesture and sexual difference / Griselda Pollock -- Imaging the \'shtetl\' : visual theories of nationhood / Carol Zemel -- Veils of time : on the historical dimension in cultural analysis / Stephen Bann -- Venice and the violence of location / Helga Geyer-Ryan -- Affecting reading : loss of self in Djuna Barnes\'s \'Nightwood\' / Ernst van Alphen -- History and/as cultural analysis : Gibbon and Ovid / Frank R. Ankersmit -- Is this Naomi? : misreading, gender blurring, and the Biblical story of Ruth / J. Cheryl Exum -- Three local cases of cross-Atlantic reading : a discussion on space and identity / Isabel Hoving -- Variety and standard / Siegfried Zielinski -- Culture and critique / Johannes Fabian -- Cultural variety and metaphysical unity / Louis Dupré -- Desire, distance, and insight / Theo de Boer -- Cultural analysis and the ghost of \'Geistesgeschichte\' / John Neubauer -- Techno-university and the future of knowledge : thoughts after Lyotard / Jon Cook -- Why interdisciplinarity isn\'t enough / William P. Germano -- What is cultural studies? / Jonathan Culler.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan Moylish Library Main Collection 306 BAL (Browse shelf(Opens below)) 1 Available 39002000216391

Enhanced descriptions from Syndetics:

This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in the present--the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us.

The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood , from the history of cinema to popular culture in Zaire.

The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.

Prelude : Dia-logic--a dialogue in images between Edwin Janssen and Janneke Lam / Janneke Lam -- Finishing touch / Evelyn Fox Keller -- Vermeer\'s women : shifting paradigms in midcareer / Nanette Salomon -- Le cinéma d\'après Lumière : rereading the origins of the filmic image / Thomas Elsaesser -- Killing men and dying women : gesture and sexual difference / Griselda Pollock -- Imaging the \'shtetl\' : visual theories of nationhood / Carol Zemel -- Veils of time : on the historical dimension in cultural analysis / Stephen Bann -- Venice and the violence of location / Helga Geyer-Ryan -- Affecting reading : loss of self in Djuna Barnes\'s \'Nightwood\' / Ernst van Alphen -- History and/as cultural analysis : Gibbon and Ovid / Frank R. Ankersmit -- Is this Naomi? : misreading, gender blurring, and the Biblical story of Ruth / J. Cheryl Exum -- Three local cases of cross-Atlantic reading : a discussion on space and identity / Isabel Hoving -- Variety and standard / Siegfried Zielinski -- Culture and critique / Johannes Fabian -- Cultural variety and metaphysical unity / Louis Dupré -- Desire, distance, and insight / Theo de Boer -- Cultural analysis and the ghost of \'Geistesgeschichte\' / John Neubauer -- Techno-university and the future of knowledge : thoughts after Lyotard / Jon Cook -- Why interdisciplinarity isn\'t enough / William P. Germano -- What is cultural studies? / Jonathan Culler.

Table of contents provided by Syndetics

  • List of Illustrations (p. xi)
  • Contributors (p. xv)
  • Introduction (p. 1)
  • Prelude: Dia-logic--A Dialogue in Images Between Edwin Janssen and Janneke Lam (p. 15)
  • Part I. Don't Look Now: Visual Memory In the Present (p. 23)
  • The Finishing Touch (p. 29)
  • Vermeer's Women: Shifting Paradigms in Midcareer (p. 44)
  • "Le cinema d'apres Lumiere": Rereading the "Origins" of the Filmic Image (p. 60)
  • Killing Men and Dying Women: Gesture and Sexual Difference (p. 75)
  • Imagining the 'Shtetl': Visual Theories of Nationhood (p. 102)
  • The Veils of Time: On the Historical Dimension in Cultural Analysis (p. 122)
  • Part II. Close-Ups and Mirrors: The Return of Close Reading, with a Difference (p. 137)
  • Venice and the Violence of Location (p. 143)
  • Affective Reading: Loss of Self in Djuna Barnes's 'Nightwood' (p. 151)
  • History and/as Cultural Analysis: Gibbon and Ovid (p. 171)
  • "Is This Naomi?": Misreading, Gender Blurring, and the Biblical Story of Ruth (p. 189)
  • Three Local Cases of Cross-Atlantic Reading: A Discussion on Space and Identity (p. 203)
  • Variety and Standard (p. 219)
  • Part III. Method Matters: Reflections on the Identity of Cultural Analysis (p. 229)
  • Culture and Critique (p. 235)
  • Cultural Variety and Metaphysical Unity (p. 255)
  • Desire, Distance, and Insight (p. 268)
  • Cultural Analysis and the Ghost of 'Geistesgeschichte' (p. 287)
  • The Techno-University and the Future of Knowledge: Thoughts After Lyotard (p. 303)
  • Double Afterwords (p. 325)
  • Why Interdisciplinarity Isn't Enough (p. 327)
  • What Is Cultural Studies? (p. 335)
  • Notes (p. 351)
  • Bibliography (p. 367)
  • Index (p. 385)

Author notes provided by Syndetics

Mieke Bal is Professor of Literary Theory at the University of Amsterdam and co-founder of the Amsterdam School for Cultural Analysis, Theory, and Interpretation. The most recent of her many books is The Mottled Screen: Reading Proust Visually (Stanford, 1997).

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