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Syndetics cover image
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The ceramic surface / Matthias Ostermann.

By: Material type: TextTextPublication details: London : A & C Black ; Philadelphia : University of Pennsylvania Press, 2002.Description: vii, 200 p. : col. ill. ; 29 cmISBN:
  • 0713654279
Subject(s): DDC classification:
  • 738.309 OST
Online resources:
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 738.309 OST (Browse shelf(Opens below)) 1 Checked out 30/06/2020 39002000352782
Standard Loan LSAD Library Main Collection 738.309 OST (Browse shelf(Opens below)) 2 Available 39002000377615

Enhanced descriptions from Syndetics:

The last decade of the 20th century has revealed a remarkable diversity of techniques being used to treat the ceramic surface. In this book, Matthias Ostermann primarily looks at the ceramic surface in the context of the vessel and platter that includes the non-functional, the metaphoric, the narrative and even the sculptural. In this he attempts to give a broad overview of contemporary techniques and approaches, covering as many making and firing procedures as possible, and focussing on the works of about 200 ceramicists from around the world. The forward discusses some of the decorative trends in ceramic production preceding the 20th century and gives an analysis of post-war ceramic aesthetic growth in Europe and North America.

The book is divided into ten chapters covering specific areas of methodology and encompassing a wide variety of techniques for making, decorating and firing, whilst also covering the full spectrum of clays and firing temperatures. Each artist's image is accompanied by technical information, as well as a statement of inspiration and motivation, to give insight into the concept of each piece.

Includes bibliographical references (p. 198) and index.

Author notes provided by Syndetics

The last decade of the 20th century has revealed a remarkable diversity of techniques being used to treat the ceramic surface. In this book, Matthias Ostermann primarily looks at the ceramic surface in the context of the vessel and platter that includes the non-functional, the metaphoric, the narrative and even the sculptural. In this he attempts to give a broad overview of contemporary techniques and approaches, covering as many making and firing procedures as possible, and focussing on the works of about 200 ceramicists from around the world. The forward discusses some of the decorative trends in ceramic production preceding the 20th century and gives an analysis of post-war ceramic aesthetic growth in Europe and North America. The book is divided into ten chapters covering specific areas of methodology and encompassing a wide variety of techniques for making, decorating and firing, whilst also covering the full spectrum of clays and firing temperatures. Each artist's image is accomp

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