Don we now our gay apparel : gay men's dress in the twentieth century / Shaun Cole.
Material type:
TextSeries: Dress, body, culturePublication details: Oxford : Berg, 2000.Description: xi, 212 p., [24] p. of plates : ill. ; 24 cmISBN: - 1859734154
- 1859734200 (PBK.)
- 391.1 COL
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 391.1 COL (Browse shelf(Opens below)) | 1 | Available | 39002000231283 |
Enhanced descriptions from Syndetics:
Gay style actually sets trends. Its what straight people take fashion from. Tony Woodcock From the New Edwardians and muscle boys to Radical Drag and Genderfuck, gay mens dress has had a profound impact on fashion. However, it is easy to forget that, with few exceptions, gay men earlier in the century took great pains to conceal their sexual identity. Men such as Quentin Crisp, while highly influential, were far from the norm. Most gay men resorted to a number of subtle dress codes to identify themselves to other gay men -- from Oscar Wildes famous green carnation, which was still being worn in the 1930s, through to suede shoes. Beginning with a look at the subcultural world of gay men in the early part of this century -- particularly in New York and London -- this fascinating book analyzes the trends in dress adopted by gay men as well as the challenge gay style has made to mainstream mens fashion. The importance of dress choice to the formation of sexual identity is highlighted, as is gay influence on punk and the fashion industry as a whole. The rise of new dress choices in the wake of gay liberation is analyzed with particular emphasis on the masculinization of gay dress. The importance of the body to gay culture is addressed, from the physique magazines of the 1950s, through to tattooing and body piercing, and their origins in the SM scene. Anyone interested in gay culture or the history of dress will find this book to be essential reading.
Includes bibliographical references and index.
Table of contents provided by Syndetics
- Acknowledgements (p. ix)
- Preface (p. xi)
- Introduction (p. 1)
- Notes (p. 9)
- 1 Homosexuality, Class and Dress (p. 15)
- Notes (p. 24)
- 2 Fairies and Queens: the Role of Effeminate Steraotypes (p. 31)
- Notes (p. 39)
- 3 You're Bom Naked and the Rest is Drag! (p. 45)
- Notes (p. 54)
- 4 Invisible Man (p. 59)
- Notes (p. 66)
- 5 Tight Trousers: Italian Styling in the 1960s (p. 71)
- Notes (p. 78)
- 6 Counter Culture and Liberation: Gay Men, Beats and Hippies (p. 83)
- Notes (p. 90)
- 7 'macho Man': Clones and the Development of a Masculine Sterotype (p. 93)
- Notes (p. 101)
- 8 Hell for Leather: Bikers, S&m and Fetishisation (p. 107)
- Notes (p. 115)
- 9 Body Talk (p. 119)
- Notes (p. 126)
- 10 Down to Basics: Swinwear and Underwear (p. 131)
- Notes (p. 137)
- 11 Trash, Glamour, Punk (p. 141)
- Notes (p. 151)
- 12 Express Yourself: Clubbing at the Blitz, the Batcave, and beyond (p. 157)
- Notes (p. 166)
- 13 Hard Boys: Masculine Appropriations in the 1980s (p. 169)
- Notes (p. 179)
- 14 Are You Fag? 'cos You Look like a Fag! (p. 183)
- Notes (p. 189)
- Bibliography (p. 193)
- Index (p. 205)