Defining dress : dress as object, meaning and identity / edited by Amy de la Haye & Elizabeth Wilson.

By:

de la Haye, Amy

Contributor(s):

Wilson, Elizabeth

Material type: Text

TextPublication details: Manchester : Manchester University Press, 1999. Description: xiii, 160p, [3] p of plates : ill. ; 24cmISBN:

0719053293

Subject(s):

DDC classification:

391.009 DEL

Holdings
Item type	Current library	Call number	Copy number	Status	Date due	Barcode
Standard Loan	LSAD Library Main Collection	391.009 DEL (Browse shelf(Opens below))	1	Available		39002000361098

Enhanced descriptions from Syndetics:

This book discusses the framing of referendum campaigns in the news media, focusing particularly on the case of the 2014 Scottish independence referendum. Using a comprehensive content analysis of print and broadcast coverage as well as in-depth interviews with broadcast journalists and their sources during this campaign, it provides an account of how journalists construct the frames that define their coverage of contested political campaigns. It views the mediation process from the perspective of those who participate directly in it, namely journalists and political communicators. It puts forward an original theoretical model to account for frame building in the context of referendums in Western media systems, using insights from this and from other cases. The book makes an original contribution to the study of media frames during referendums and is key reading for scholars and students interested in journalism, the processes of political communication and the mediation of politics.

Includes bibliographical references & index

Table of contents provided by Syndetics

List of illustrations (p. vi)
Notes on contributors (p. x)
1 Introduction (p. 1)
2 Dashing Amazons: the development of women's riding dress, c. 1500-1900 (p. 10)
3 Wool cloth and gender: the use of woollen cloth in women's dress in Britain, 1865-85 (p. 30)
4 Renouncing consumption: men, fashion and luxury, 1870-1914 (p. 48)
5 That little magic touch: the headtie (p. 63)
6 Religious dress in Italy in the late Middle Ages (p. 79)
7 The mantua: its evolution and fashionable significance in the seventeenth and eighteenth centuries (p. 93)
8 Muses and mythology: classical dress in British eighteenth-century female portraiture (p. 104)
9 Dressing for art's sake: Gwen John, the Bon Marche and the spectacle of the women artist in Paris (p. 114)
10 The aesthetics of absence: clothes without people in paintings (p. 128)
11 Invisible men: gay men's dress in Britain, 1950-70 (p. 143)
Index (p. 155)