Image from Syndetics
The cinema book.
Material type:
TextPublication details: London : British Film Institute Publishing, 1999.Edition: 2nd ed. / edited by Pam Cook and Mieke BerninkDescription: x, 406 p. : ill.. ; 31 cmISBN: - 0851707297 (cased) :
- 0851707262 (pbk.) :
- 791.43 COO 21
| Item type | Current library | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 791.43 COO (Browse shelf(Opens below)) | Available | 39002100676270 |
Enhanced descriptions from Syndetics:
No Marketing Blurb
Previous ed.: 1985.
Includes bibliographical references and index.
Table of contents provided by Syndetics
- Listed after each chapter title are just some of the films/film makers/studios/actors featured in the sidebars for each section
- Part 1 Classic Hollywood Cinema
- Introduction The Rise of the American Film Industry
- The Birth of a Nation, Intolerance, Sunrise, King Kong The Studios
- Paramount, MGM, Warner Bros, Columbia, 20th Century Fox, RKO, Universal Stars
- Humphrey Bogart, Jane Fonda, Marlene Dietrich, Marlon Brando Classical Hollywood Narrative
- Stagecoach, Marnie, His Girl Friday, Klute, Mildred Pierce
- Part 2 Technology
- Introduction Sound
- The Jazz Singer, Apocalypse Now, Jurassic Park Colour
- She Wore a Yellow Ribbon Deep Focus
- The Best Years of Our Lives, La Regle du jeu Lighting -Widescreen Rebel Without a Cause Cameras Alternative Production Formats Editing The 'New' Technologies
- Titanic, The Mask, Terminator 2: Judgement Day Interactive Entertainments Virtual Reality
- Part 3 National Cinema and Film Movements
- German Expressionism and New German Cinema
- Das Cabinet des Dr Caligari, Nosferatu Soviet Cinema
- The Battleship Potemkin, Ivan the Terrible
- Part 1 Italian Neo-Realism
- La Strada, Paisa The French Nouvelle Vague
- A bout de souffle, Les Quatre cents coups The British Film Industry
- The Lavender Hill Mob, The Quatermass Experiment, Room at the Top
- Part 4 Alternatives to Classic Hollywood
- Early Cinema
- After Brighton, The Great Train Robbery, The Lonedale Operator New Hollywood
- Five Easy Pieces, Chinatown, Pulp Fiction Art Cinema
- Alice in den Stauml;dten, L'Anneacute;e derniere agrave; Marienbad, L'avventura, East Asian Cinema, Late Spring, Yellow Earth, Sisters of the Gion Avant-Garde and Counter-Cinema
- Un Chien Andalou, Vent d'est, Privilege Third World and Postcolonial Cinema
- Xala, Sankofa, Vidas Secas, La Hora de los Hornos Hindi Cinema
- Pather Panchali, Sholay, Kaliya, Pyaasa
- Part 5 Genre
- History Of Genre Criticism The Western
- My Darling Clementine, Unforgiven Melodrama
- Gaslight, Written on the Wind, Stella Dallas, All That Heaven Allows Crime
- Gangsters, Detectives and Suspense Film Film Noir
- Double Indemnity, Homicide, Secret Beyond the Door Science Fiction and Horror
- Psycho, Alien, Dead Ringers, Star Wars The Musical
- Meet Me in St Louis, Sweet Charity, Top Hat, Singin' in the Rain The Teenpic
- Grease, Gummo, Rebel Without a Cause Comedy
- Lover Come Back, Annie Hall, The Patsy Action-Adventure
- Part 6 Authorship and Cinema
- Authorship and Art Cinema
- Ingmar Bergman, Federico Fellini, The 'politique des auteurs' Jean Renoir, Fritz Lang, Alfred Hitchcock, Orson Welles, Jean-Luc Godard The Auteur Theory D.W. Griffith, Don Siegel, Nicholas Ray, Roger Corman Auteurism in Britain
- Carol Reed, Lindsay Anderson, Karel Reisz, Terence Fisher Structuralism and Auteur Study
- Samuel Fuller, Howard Hawks, Douglas Sirk, Raoul Walsh Auteurism After Structuralism
- John Ford, Jean-Luc Godard Auteurism in the 1990s
- Jane Campion, Peter Wier
- Part 7 Theoretical Frameworks
- Looking at Film
- Three Colours: White, The Graduate Structuralism and its Aftermaths
- Citizen Kane, Tout va bien, Kiss me Deadly, Rio Bravo, Psychoanalysis and Cinema, Manhunter, Blue Velvet, Blade Runner, Total Recall Feminist Film Theory
- Morocco, Antonia's Line Film Theory and Spectatorship
- Gone With the Wind, Queen Christina Contributors: Richard Abel