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The story of looking / Mark Cousins.

By: Material type: TextTextPublisher: Edinburgh : Canongate, 2017Description: 426 pages : illustrations (some color) ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1782119116
  • 9781782119111
Subject(s): DDC classification:
  • 302.35 COU 23
LOC classification:
  • BF241 .C68 2017
Contents:
Starting to look: focus, space and colour -- Developing looking: eye contact, movement, landscape and emotion -- Looking, self, home and design: the things nearby -- Growing up looking: desire, abstraction and God -- Looking and cities: vicinity and vista -- Expanding horizons from the middle ages onwards: trade, crusade, empire and conquest -- Looking and science: not imposing a story -- Image war and the power of looking in the 1500s and 1600s: Protestantism, the Baroque, the Ottomans and Versailles -- What lies beneath: laughing and tears -- Looking and the 1700s: Grand Tours, enlightenment, industry, revolution and flight -- Looking and the early 1800s: Romanticism, America, railroads and photography -- The transparent eyeball; looking and the late 1800s: literature, light bulbs, Impressionism, cinema and sport -- The sliced eyball of the early twentieth century, part 1: microcosms, time and Tutankhamun -- The sliced eyeball of the early twentieth century, part 2: protest, Modernisms, skyscrapers and advertising -- The twentieth century losing its realness?: motorways, war, TV, celebrity and want see -- The twenty-first century and everywhere: skype, surveillance, virtual and augmented realities -- The unseen; looking back; looking and dying; being looked at.
Summary: Looking can be an act of empathy or aggression. It can provoke desire or express it. And from the blurry, edgeless world we inhabit as infants to the landscape of screens we grow into, looking can define us. -- Brilliant and eclectic, The Story of Looking is a photo album and an art gallery, a road movie and a visual grammar: once you've read it, you'll never see things the same way again.
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 302.35 COU (Browse shelf(Opens below)) Available 39002100633990

Enhanced descriptions from Syndetics:

A fully illustrated investigation into the elements of looking, combining art, science, psychology and history to create the story of visual culture over six thousand years.

Includes index.

Starting to look: focus, space and colour -- Developing looking: eye contact, movement, landscape and emotion -- Looking, self, home and design: the things nearby -- Growing up looking: desire, abstraction and God -- Looking and cities: vicinity and vista -- Expanding horizons from the middle ages onwards: trade, crusade, empire and conquest -- Looking and science: not imposing a story -- Image war and the power of looking in the 1500s and 1600s: Protestantism, the Baroque, the Ottomans and Versailles -- What lies beneath: laughing and tears -- Looking and the 1700s: Grand Tours, enlightenment, industry, revolution and flight -- Looking and the early 1800s: Romanticism, America, railroads and photography -- The transparent eyeball; looking and the late 1800s: literature, light bulbs, Impressionism, cinema and sport -- The sliced eyball of the early twentieth century, part 1: microcosms, time and Tutankhamun -- The sliced eyeball of the early twentieth century, part 2: protest, Modernisms, skyscrapers and advertising -- The twentieth century losing its realness?: motorways, war, TV, celebrity and want see -- The twenty-first century and everywhere: skype, surveillance, virtual and augmented realities -- The unseen; looking back; looking and dying; being looked at.

Looking can be an act of empathy or aggression. It can provoke desire or express it. And from the blurry, edgeless world we inhabit as infants to the landscape of screens we grow into, looking can define us. -- Brilliant and eclectic, The Story of Looking is a photo album and an art gallery, a road movie and a visual grammar: once you've read it, you'll never see things the same way again.

Author notes provided by Syndetics

Mark Cousins is a Northern Irish author, producer and filmmaker. He is the former director of the Edinburgh International Film Festival and a regular contributor to Prospect and The Times . He is the author of the book The Story of Film and the creator of the acclaimed Channel 4 documentary series of the same name. He was Co-Artistic Director of a number of projects with Tilda Swinton, one of which involved manually hauling a portable cinema through the Scottish Highlands. He lives in Edinburgh.
@markcousinsfilm

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