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The new craftsperson : The advent of new technology in the craft studio : An assessment of the new technological practices by Faig Ahmed, Ingrid Murphy and Michael Eden Monica O'Meara Thesis

By:

O'Meara, Monica

Material type: Text

TextPublication details: Limerick, Ireland Limerick Institute of Technology / Limerick School of Art and Design 2019Description: 40p. : Illustrations, col. and b+w. : 30 cmSubject(s):

Genre/Form:

Academic theses

DDC classification:

Thesis Ceramics 03/19

Dissertation note: In partial fulfilment of the B.A. (Hons.) in Ceramics 2019. Summary: The advent of new technologies in the craft studio has been met with varying degrees of acceptance. Our openness to these advances is intrinsically linked to perceptions of craft and the handmade, perceptions which have continually evolved. This paper considers the work and practices of three artists of differing craft practices - Faig Ahmed, Ingrid Murphy and Michael Eden, in order to explore how diverse both the making and understanding of new technologies are becoming in this new technological age.

Holdings ( 1 )
Title notes ( 3 )

Holdings
Item type	Current library	Call number	Status	Date due	Barcode
2 Hour Loan	LSAD Library Theses Collection	Thesis Ceramics 03/19 (Browse shelf(Opens below))	Library Use Only		39002100710467

In partial fulfilment of the B.A. (Hons.) in Ceramics 2019.

Includes references and bibliography pp. 35 - 40.

The advent of new technologies in the craft studio has been met with varying degrees of acceptance. Our openness to these advances is intrinsically linked to perceptions of craft and the handmade, perceptions which have continually evolved. This paper considers the work and practices of three artists of differing craft practices - Faig Ahmed, Ingrid Murphy and Michael Eden, in order to explore how diverse both the making and understanding of new technologies are becoming in this new technological age.