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Twelve Caesars : images of power from the ancient world to the modern / Mary Beard.

By: Material type: TextTextSeries: The A.W. Mellon lectures in the fine arts ; 2011 | Bollingen series ; 35: 60Publisher: Princeton : Princeton University Press, [2021]Description: 376 pages; color illustrations; 25 cmISBN:
  • 9780691222363
  • 9780691222363
Subject(s): Additional physical formats: Online version:: Twelve CaesarsDDC classification:
  • 709.0216 BEA 23
LOC classification:
  • N7575 .B38 2021
Other classification:
  • HIS002020 | ART015000
Contents:
The Emperor on the Mall: An Introduction -- Who's Who in the Twelve Caesars -- Coins and Portraits, Ancient and Modern -- The Twelve Caesars, More or Less -- The Most Famous Caesars of Them All -- Satire, Subversion and Assassination -- Caesar's Wife ... Above Suspicion?
Summary: "From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"-- Provided by publisher.Summary: "From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"-- Provided by publisher.
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 709.0216 BEA (Browse shelf(Opens below)) Available 39002100605063

Enhanced descriptions from Syndetics:

From the bestselling author of SPQR: A History of Ancient Rome , the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book--against a background of today's "sculpture wars"--Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "Twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.

Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.

From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.

Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Includes bibliographical references and index.

The Emperor on the Mall: An Introduction -- Who's Who in the Twelve Caesars -- Coins and Portraits, Ancient and Modern -- The Twelve Caesars, More or Less -- The Most Famous Caesars of Them All -- Satire, Subversion and Assassination -- Caesar's Wife ... Above Suspicion?

"From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"-- Provided by publisher.

"From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"-- Provided by publisher.

Table of contents provided by Syndetics

  • List of Tables (p. viii)
  • Preface (p. ix)
  • Chapter I The Emperor on the Mall: An Introduction (p. 1)
  • Chapter II Who's Who in the Twelve Caesars (p. 43)
  • Chapter III Coins and Portraits, Ancient and Modern (p. 78)
  • Chapter IV The Twelve Caesars, More or Less (p. 118)
  • Chapter V The Most Famous Caesars of Them All (p. 151)
  • Chapter VI Satire, Subversion and Assassination (p. 188)
  • Chapter VII Caesar's Wife ... Above Suspicion? (p. 235)
  • Chapter VIII Afterword (p. 274)
  • Acknowledgements (p. 287)
  • Appendix: The Verses underneath Aegidius Sadeler's Series of Emperors and Empresses (p. 289)
  • Notes (p. 303)
  • Bibliography (p. 335)
  • List of Illustrations (p. 358)
  • Index (p. 368)

Author notes provided by Syndetics

Mary Beard is one of the world's leading classicists and cultural commentators, and the author of bestselling and award-winning books, including SPQR: A History of Ancient Rome and Women and Power: A Manifesto. A specialist in Roman history and art, she has also written and presented many television programs, from Civilisations and Meet the Romans to The Shock of the Nude .

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