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Visual and other pleasures / Laura Mulvey.

By: Material type: TextTextSeries: Language, discourse, societyPublication details: Houndmills, Basingstoke, Hampshire : Macmillan, 1989.Description: xvi, 201 p. ; 25 cmISBN:
  • 0333445287 :
  • 9780333445280
  • 0333445295 (pbk.)
  • 9780333445297 (pbk.)
Subject(s): DDC classification:
  • 305.4 MUL
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 305.4 MUL (Browse shelf(Opens below)) 1 Available 39002000152083

Enhanced descriptions from Syndetics:

The essays collected in this book reflect some of the commitments and changes during the period that saw the women's movement shift into feminism and the development of feminism's involvement with the politics of representation, psychoanalytic film theory and avant-garde aesthetics.

Includes bibliographies.

Table of contents provided by Syndetics

  • Acknowledgements
  • Introduction to Second Edition
  • Introduction to First Edition
  • Part I Iconoclasm
  • The Spectacle is Vulnerable: Miss World 1970 Fears
  • Fantasies and the Male Unconsciousor'
  • You Don't Know What is Happening
  • Do You Mr Jones?' Visual Pleasure and Narrative Cinema
  • Part II Melodrama
  • Afterthoughts on 'Visual Pleasure and Narrative Cinema' inspired
  • In The Sun(1946)
  • Notes on Sirk and Melodrama Fassbinder and Sirk Images of Women
  • Images of Sexuality: Some Films
  • Melodrama Inside and Outside the Home
  • Part III On the Margins
  • Frida Kahlo and Tina Modotti
  • Part IV Avant-Garde
  • Film, Feminism and the Avant-Garde Dialogue with Spectatorship
  • Barbara Kruger and Victor Burgin 'Magnificent Obsession'
  • An Introduction to the Work of Five Photographers Impending Time
  • Part V Boundaries
  • Changes: Thoughts on Myth, Narrative and Historical Experience
  • The Oedipus Myth: Beyond the Riddles of the Sphinx
  • The Young Modern Woman of the 1920s and Feminist Film Theory

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