Candor and perversion literature, education, and the arts Roger Shattuck
Material type: TextPublication details: New York : W.W. Norton, c1999.Edition: 1st edDescription: viii, 415 p. : ill. (some col.) ; 24 cmISBN:- 0393048071
- 707 SHA
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 707 SHA (Browse shelf(Opens below)) | 1 | Available | 39002000279811 |
Enhanced descriptions from Syndetics:
In this volume, eminent National Book Award-winning critic Roger Shattuck takes up the cudgel to affirm literature as a central field of study and personal reward. With incisive analysis, he explores the nature of intellectual craftsmanship in a society rampant with anti-intellectualism and pretension. Shattuck argues that American literary studies have embarked on a wayward course in recent decades. He shows how politics and theory have grown increasingly dominant and now threaten to eliminate the very category of literature. Looking to the past for guidance, Shattuck offers a powerful vision of a common literary and philosophical heritage. Whether commenting on Flaubert, Georgia O'Keeffe, V. S. Naipaul, the movies, or education, Shattuck explores the principles and values by which we can live together as one country and one culture at peace with our diversity. Roger Shattuck has served as president of the Association of Literary Scholars and Critics, taught for many years at Boston University, and now resides in Vermont. He is the author of The Banquet Years, Marcel Proust (National Book Award, 1974), The Innocent Eye, and, most recently, Forbidden Knowledge: From Prometheus to Pornography.
Includes bibliographical references and index.
Table of contents provided by Syndetics
- Foreword (p. ix)
- I. Intellectual Craftsmanship
- 1. Nineteen Theses on Literature (p. 3)
- 2. Perplexing Lessons: Is There a Core Tradition in the Humanities? (p. 9)
- 3. American Education Against Itself (p. 19)
- 4. Education: Higher and Lower (p. 24)
- 5. How to Read a Book (p. 36)
- 6. The Spiritual in Art (p. 43)
- 7. How We Think at the Movies (p. 54)
- 8. Life Before Language: Nathalie Sarraute (p. 67)
- 9. Second Thoughts on a Wooden Horse: Michel Foucault (p. 73)
- 10. Art at First Sight (p. 81)
- 11. Radical Skepticism and How We Got Here (p. 88)
- 12. From The Swiss Family Robinson to Narratus Interruptus (p. 95)
- 13. Teaching the Unteachable: Kipling, Proust, Nietzsche and Co. (p. 101)
- 14. The Alibi of Art (p. 116)
- II. A Critic's Job of Work
- Tracking the Avant-Garde in France
- 15. The Social Institutions of Modern Art (p. 135)
- 16. Manet, the Missing Link (p. 146)
- 17. Unlikely Pen Pals: George Sand and Gustave Flaubert (p. 157)
- 18. Sara Bernhardt, the Sacred Monster (p. 161)
- 19. Yuppies Along the Seine: The Impressionists (p. 172)
- 20. Living by Words: Mallarme (p. 179)
- 21. The Present Place of Futurism (p. 190)
- 22. Early Picasso: Mailer's Version (p. 198)
- 23. Captions or Illustrations?: Braque's Handbook (p. 211)
- 24. The Story of Hans/Jean/Kaspar Arp (p. 233)
- 25. Cocteau, Native Son of Paris (p. 239)
- 26. Confidence Man: Marcel Duchamp (p. 244)
- 27. The Last Cause (An Experimental Play) (p. 262)
- 28. From Aestheticism to Fascism (p. 276)
- America, Africa, and Elsewhere
- 29. An American Roman-Fleuve: The Beulah Quintet (p. 285)
- 30. "The Great American Thing": O'Keeffe and Stieglitz (p. 293)
- 31. Candor and Perversion: Man Ray (p. 308)
- 32. Born-Again African: Leopold Senghor (p. 324)
- 33. A Masterpiece from Senegal (p. 344)
- 34. Blank and White: Illuminating Octavio Paz (p. 350)
- 35. Arthur Miller's Account of Himself (p. 355)
- 36. Naipaul on the American South (p. 362)
- 37. A Poet's Stories: W. S. Merwin (p. 372)
- 38. Quantum Tales: Renata Adler (p. 379)
- 39. Scandal and Stereotypes on Broadway: The New Puritanism (p. 386)
- Credits (p. 391)
- Index (p. 395)
Excerpt provided by Syndetics
Author notes provided by Syndetics
Roger Shattuck taught for many years at Boston University and now resides in Vermont. He is the author, most recently, of "Candor & Perversion".(Bowker Author Biography)