Normal view MARC view ISBD view

Focal Point.

Contributor(s):

Material type: Film

FilmPublisher number: 12842879 | KanopyPublisher: Seeker, 2018Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2022Description: 1 online resource (streaming video file) (116 minutes): digital, .flv file, soundContent type:

two-dimensional moving image

Media type:

computer

Carrier type:

online resource

Subject(s):

Genre/Form:

Documentary films.

Online resources:

Summary: Our understanding of the universe is advancing at an unprecedented rate. This doc-series examines new breakthroughs, new technology, and new ways of looking at the world.

Holdings ( 0 )
Title notes ( 7 )

No physical items for this record

Title from title frames.

Film

In Process Record.

Originally produced by Seeker in 2018.

Our understanding of the universe is advancing at an unprecedented rate. This doc-series examines new breakthroughs, new technology, and new ways of looking at the world.

Mode of access: World Wide Web.

In English

Back to results

181 Using semiotics to challenge the preferred ideologies of gender within society in an attempt to question the importance of fashion in constructing gender, through analysing androgyny as a deconstructive form.
by Spillane, Sarah Kate.
182 A replication and analysis of Erving Goffman's study of gender representation [Extended Essay] /
by Ward, Emma.
183 Meteor: /
184 A study of Victorian and Gothic sensibilities within contemporary fashion design with particular emphasis on the clothing of Alexander MCQueen.
by Cullen, Ellie.
185 Photographing the West /
by Darcy, Kathleen.
186 Exploitation within the structures of Neoliberal Capitalism and the Art of Santiago Sierra.
by Furlong, James.
187 The aesthetics and politics of conflict photography.
by Gillen, Deirdre.
188 Propaganda and the classical body: a study of the classical body as an instrument of propaganda in visual culture.
by Holmes, Patrick.
189 A discussion on the embodied experience.
by Nagle, Beth.
190 The street photograpy of Rodchenko and Ruscha: the voyeur and the flaneur.
by Porter, Niamh.
191 'Facebook: your collection of experiences that monetise our product': an investigation into the control that Facebook exercises over its users' online identity.
by Power, Ciaran.
192 Patents and pirates: a look at the history of appropriation in contemporary culture and the art world and how art would benefit from using the alternatives.
by Casey, Jake.
193 Embracing the negative: Wim Delvoye's post-modernist critique of society, commodification and the world of art.
by Cunningham, Shane.
194 Locating the archive as a site of remembrance (and forgetting) in contemporary art practice.
by Fogarty, Rachel.
195 The potential of a subject s Proximity Senses to induce an existential awakening during the experiencing of sculptural objects.
by Gough, Sophie.
196 A discussion on how art acts as a catalyst in unveiling injustices to the public.
by Holzinger, Alex.
197 Aesthetic of ritual in contemporary art.
by Re, Shannon.
198 Emoji: are they a formidable language?
by McCarthy, Joanne.
199 From Spectator to Participant: An analysis of the artistic practice of Lygia Clark and Helio Oiticica and their incorporation of the body as an active component of their work./
by Flynn, Nicole.
200 Disgust and repulsion: The grotesque female body vs Western Society s ideal
by Maher, Louise.