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The fundamentals of sonic art & sound design / Tony Gibbs.

By: Material type: TextTextSeries: AVA academiaPublication details: Lausanne : AVA Academia ; London : Thames & Hudson [distributor], c2007.Description: 175 p. : ill. (some col.), ports. (chiefly col.) ; 23 cmISBN:
  • 9782940373499 (pbk.)
  • 2940373493 (pbk.)
Subject(s): DDC classification:
  • 786.7 GIB
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 786.7 GIB (Browse shelf(Opens below)) 1 Checked out 03/05/2021 39002100410951

Enhanced descriptions from Syndetics:

This book introduces a subject that will be new to many- sonic arts. The application of sound to other media (such as film or video) is well known and the idea of sound as a medium in its own right (such as radio) is also widely accepted. However, the idea that sound could also be a distinct art form by itself is less well established and often misunderstood. The Fundamentals of Sonic Arts & Sound Design introduces, describes and begins the process of defining this new subject and to provide a starting point for anyone who has an interest in the creative uses of sound. The book explores the worlds of sonic arts and sound design through their history and development, and looks at the present state of these extraordinarily diverse genres through the works and words of established artists and through an examination of the wide range of practices that currently come under the heading of sonic arts. The technologies that are used and the impact that they have upon the work are also discussed. Additionally, The Fundamentals of Sonic Arts & Sound Design considers new and radical approaches to sound recording, performance, installation works and exhibitions and visits the worlds of the sonic artist and the sound designer.

Includes bibliographical references and index.

Author notes provided by Syndetics

Tony Gibbs is leader of the BA Sonic Arts program at Middlesex University, UK. Launched in 1995, this program was one of the first interdisciplinary degree courses in sonic art. In addition to program leadership and teaching, Tony has been responsible for the development of the technical resources of the Lansdown Centre for Electronic Arts, Middlesex University's innovative research centre where he is currently involved in a range of activities including the development of an interactive 3D audiovisual system for use by composers, performers and other artists.

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