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The filmmaker's eye [electronic book] : learning (and breaking) the rules of cinematic composition / Gustavo Mercado.

By: Contributor(s): Material type: TextTextPublication details: Amsterdam ; Boston : Focal Press/Elsevier, c2011.Description: 1 online resource (xvi, 192 p.) : ill. (some col.)ISBN:
  • 0240812174
  • 9780080959344 (electronic bk.)
  • 0080959342 (electronic bk.)
Subject(s): Genre/Form: Additional physical formats: Print version:: Filmmaker's eye.Online resources:
No physical items for this record

Enhanced descriptions from Syndetics:

This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them.

Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages

After a short introduction to basic principles, a variety of shots are deconstructed in the following format:

- Why It Works: an introduction to a particular type of shot
- How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action
- Technical Considerations: the equipment and techniques needed to get the shot.
- Breaking the Rules: examples where the "rules" are brilliant subverted

Includes bibliographical references and index.

Table of contents provided by Syndetics

  • Acknowledgments (p. xi)
  • Introdution (p. xiii)
  • Finding the frame (p. 1)
  • Principles of composition and technique concepts (p. 6)
  • Image system (p. 21)
  • Extreme close up (p. 29)
  • Close up (p. 35)
  • Medium close up (p. 41)
  • Medium shot (p. 47)
  • Medium long shot (p. 53)
  • Long shot (p. 59)
  • Extreme long shot (p. 65)
  • Over the shoulder shot (p. 71)
  • Establshing shot (p. 77)
  • Subjective shot (p. 83)
  • Two shot (p. 89)
  • Group shot (p. 95)
  • Canted shot (p. 101)
  • Emblematic shot (p. 107)
  • Abstract shot (p. 113)
  • Macro shot (p. 119)
  • Zoom shot (p. 125)
  • Pan shot (p. 131)
  • Tilt shot (p. 137)
  • Dolly shot (p. 143)
  • Dolly zoom shot (p. 149)
  • Tracking shot (p. 155)
  • steadicam shot (p. 161)
  • Crane shot (p. 167)
  • Sequence shot (p. 173)
  • Filmography (p. 179)
  • Index (p. 183)

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