Magical secrets about aquatint : spit bite, sugar lift & other etched tones step-by-step / Emily York ; with an appendix on printing by Kathan Brown.

By:

York, Emily

Contributor(s):

Material type: Text

TextPublication details: San Francisco : Crown Point Press, c2008.Description: 361 p. : ill. (chiefly col.) ; 26 cm. + 1 DVD (68 min ; 4 3/4 in.)ISBN:

9781891300219
1891300210

Other title:

Spit bite, sugar lift and other etched tones step-by-step

Subject(s):

DDC classification:

766.3 MAG

Summary: Magical secrets are quickly grasped. They open doors to fresh ways of seeing and understanding. Artists use aquatint, a form of etching, to create delicate washes, velvety blacks, and intricate layers of color impossible in other art media. In this book, the third in a series about etchings, Emily York discusses 46 aquatints by 32 artists, with special attention to fascinating sequential works by Richard Diebenkorn and Al Held. Emily York is a master painter at Crown Point Press, a publishing workshop where artists have been creating etchings since 1962. She ties processes directly to art, and with clear writing and abundant illustrations explains the aquatint processes of spit bite, sugar lift, soap ground, and water bite. She also details steel-facing and multiple-plate printing, and gives step-by-step instructions for making your own aquatints. Anyone who cares about art will enjoy this book, and anyone who makes etchings will find it indefensible. The included DVD demonstrates the processes, and the accompanying website provides ongoing information about printmaking.--Publisher\'s description.

Holdings ( 1 )
Title notes ( 4 )

Holdings
Item type	Current library	Call number	Copy number	Status	Date due	Barcode
Standard Loan	LSAD Library Main Collection	766.3 MAG (Browse shelf(Opens below))	1	Available		39002100452334

Enhanced descriptions from Syndetics:

Cultural Writing. Art. Crown Point Press master printer Emily York discusses aquatint, a form of etching used to create delicate washes, velvety blacks, and intricate layers of color impossible in other art media. Using 46 prints by 32 artists, she ties process directly to art and explains spit bite, sugar lift, soap ground, and water bite. She also details steel-facing and multiple plate printing, with step-by-step instructions for making your own aquatints. With two appendices: "Printing the Crown Point Way" by Kathan Brown and "Using Acid to Bite Plates" by Catherine Brooks. DVD included.

Includes index.

Accompanying DVD includes videotaped demonstrations of the techniques in the eight chapters, directed by Emily York (68 min.); Appendix A. Using acid to bite plates, directed by Catherine Brooks; and Appendix B. Printing the Crown Point way, directed by Kathan Brown. Camera and editing by Javier Briones.

Magical secrets are quickly grasped. They open doors to fresh ways of seeing and understanding. Artists use aquatint, a form of etching, to create delicate washes, velvety blacks, and intricate layers of color impossible in other art media. In this book, the third in a series about etchings, Emily York discusses 46 aquatints by 32 artists, with special attention to fascinating sequential works by Richard Diebenkorn and Al Held. Emily York is a master painter at Crown Point Press, a publishing workshop where artists have been creating etchings since 1962. She ties processes directly to art, and with clear writing and abundant illustrations explains the aquatint processes of spit bite, sugar lift, soap ground, and water bite. She also details steel-facing and multiple-plate printing, and gives step-by-step instructions for making your own aquatints. Anyone who cares about art will enjoy this book, and anyone who makes etchings will find it indefensible. The included DVD demonstrates the processes, and the accompanying website provides ongoing information about printmaking.--Publisher\'s description.