On Jack Smith\'s Flaming creatures (and other secret-flix of Cinemaroc) / by J. Hoberman.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 1887123520 (pbk. : alk. paper)
- 9781887123525 (pbk. : alk. paper)
- 791.437 HOB
- Also issued online.
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 791.437 HOB (Browse shelf(Opens below)) | 1 | Available | 39002100424028 |
Enhanced descriptions from Syndetics:
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President , as well as shorter film fragments.
Cinemaroc being the name he [Jack Smith] gave to his imagined film studio--www.warholstars.org.
Also issued online.
Table of contents provided by Syndetics
- On Flaming Creatures
- Flaming Creatures (p. 8)
- Up on the Roof (p. 18)
- "Crimson Creatures" (p. 34)
- Production Stills (Norman Solomon) (p. 53)
- The Other Films
- Scotch Tape/ Overstimulated/ Paper Dolls (p. 78)
- Normal Love (and Chumlum) (p. 86)
- No President (p. 100)
- Respectable Creatures/ I Was a Male Yvonne De Carlo (p. 112)
- Appendices
- Jack Smith on 8mm (p. 120)
- Jacobs-Fellini-Warhol (p. 122)
- Journal Notes (1962) (p. 140)