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Listening to noise and silence : towards a philosophy of sound art / by Salomé Voegelin.

By: Material type: TextTextPublication details: New York : Continuum, 2010.Description: xvii, 231 p. ; 23 cmISBN:
  • 1441162070 (pbk.)
  • 9781441162076 (pbk.)
Subject(s): DDC classification:
  • 786.7 VOE
Contents:
Introduction -- Listening -- Noise -- Silence -- Time and space -- Now.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 786.7 VOE (Browse shelf(Opens below)) 1 Available 39002100452631

Enhanced descriptions from Syndetics:

Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility.


A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.


Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.

Includes bibliographical references (p. 217-222) and index.

Introduction -- Listening -- Noise -- Silence -- Time and space -- Now.

Author notes provided by Syndetics

Salomé Voegelin is Professor of Sound at the London College of Communication, UAL. An artist and writer, she is also the author of Sonic Possible Worlds: Hearing the Continuum of Sound (Bloomsbury, 2014) and The Political Possibility of Sound: Fragments of Listening (Bloomsbury, 2018) .

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