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The history of gothic fiction / Markman Ellis.

By: Material type: TextTextPublication details: Edinburgh : Edinburgh University Press, 2007, c2000.Description: ix, 261 p. : ill. ; 24 cmISBN:
  • 0748611959 (pbk.)
  • 9780748611959 (pbk.)
Subject(s): DDC classification:
  • 823.1 GOT
Contents:
Prologue: The history of gothic fiction -- History and the gothic novel -- Female gothic and the secret terrors of sensibility -- Revolution and libertinism in the gothic novel -- Science, conspiracy and the gothic enlightenment -- Vampires, credulity and reason -- Zombies and the occultation of slavery.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 823.1 GOT (Browse shelf(Opens below)) 1 Available 39002100434050

Enhanced descriptions from Syndetics:

The History of Gothic Fiction debates the rise of the genre from its origins in the late eighteenth-century novel through nineteenth-century fictions of tyrants, monsters, conspirators and vampires to the twentieth-century zombie film.Approaching key novels by authors such as Walpole ( The Castle of Otranto ), Radcliffe ( The Romance of the Forest and The Mysteries of Udolpho ), Austen ( Northanger Abbey ), Wollstonecraft ( The Wrongs of Woman ), Lewis ( The Monk ), Shelley ( Frankenstein ), Stoker ( Dracula ) and Halperin ( White Zombie ), the argument proceeds on historicist principles, analysing the peculiar tone of these fictions and uncovering themes of credulity and reason, secrecy and enlightenment, tyranny and libertinism, sexuality and gender, race and miscegenation. The final chapters on the vampire and the zombie examine how the un-dead of gothic terror are embedded in an argument from history.Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from popular psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of Gothic fiction. Illustrated with ten black and white plates and including up-to-date bibliographies, this will be an ideal text for all those with an interest in the Gothic.Key Features:* written with an undergraduate audience in mind* covers topics such as vampires, zombies, tyrants, banditti and demon-lovers* offers clearly argued summaries of critical debate

Includes bibliographical references (p. 245-253) and index.

Prologue: The history of gothic fiction -- History and the gothic novel -- Female gothic and the secret terrors of sensibility -- Revolution and libertinism in the gothic novel -- Science, conspiracy and the gothic enlightenment -- Vampires, credulity and reason -- Zombies and the occultation of slavery.

Author notes provided by Syndetics

Markman Ellis is Senior Lecturer, School of English and Drama at the Queen Mary and Westfield College, University of London

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