Collage : the unmonumental picture / preface by Lisa Phillips ; essays by Richard Flood, Laura Hoptman, and Massimiliano Gioni.
Material type: TextPublication details: London ; New York : Merrell ; New York : New Museum, c2007.Description: 142 p. : chiefly ill. (chiefly col.) ; 24 cmISBN:- 9781858944470 (pbk.)
- 1858944473 (pbk.)
- Unmonumental picture
- 745.54 COL
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 745.54 COL (Browse shelf(Opens below)) | 1 | Missing | 39002100439430 |
Enhanced descriptions from Syndetics:
This work explores the role of collage in contemporary visual culture. Featuring the work of both established talents and a new generation of artists, it examines how collage is used to confront and comment on a world that is dominated by the mass media and obsessed with conspicuous consumerism.
Catalog of an exhibition held at the New Museum, New York.
Tear me apart, one letter at a time / Richard Flood -- Collage now: the seamier side / Laura Hoptman -- It\'s not the glue that makes the collage / Massimiliano Gioni -- Plates -- Mark Bradford -- Jonathan Hernandez -- Thomas Hirschhorn -- Christian Holstad -- Kim Jones -- Wangechi Mutu -- Henrik Olesen -- Martha Rosler -- Nancy Spero -- John Stezaker -- Kelley Walker -- Exhibition checklist -- Biographies -- Acknowledgments -- Photo Credits.
Product Description: The simplicity of collage, together with its strong graphic presence, lent the medium a sense of revolutionary possibility when it was first adopted by avant-garde artists almost 100 years ago. During the twentieth century collage gradually became identified with such artistic practices as Cubism, Dada and Surrealism, and today it has gained new momentum as an energetic art form with a strong political dimension. This stunning book explores the role of collage in contemporary visual culture. Featuring the work of both established talents and a new generation of artists, it examines how collage is used to confront and comment on a world that is dominated by the mass media and obsessed with conspicuous consumerism. Includes the work of Thomas Hirschhorn, Kim Jones, Wangechi Mutu, Martha Rosler, Nancy Spero and John Stezaker.