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Producing great sound for digital video / Jay Rose.

By: Material type: TextTextSeries: DV expert seriesPublication details: San Francisco, CA : CMP Books, c2003.Edition: 2nd edDescription: xiv, 428 p. : ill. ; 24 cm. + 1 CD-ROM (4 3/4 in.)ISBN:
  • 1578202086 (pbk.)
Subject(s): DDC classification:
  • 778.52344 22
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan Clonmel Library Main Collection 621.3883 ROS (Browse shelf(Opens below)) 1 Available R13934KRCC
Standard Loan Clonmel Library Main Collection 621.3883 ROS (Browse shelf(Opens below)) 3 Available R13949KRCC

Enhanced descriptions from Syndetics:

Producing Great Sound for Digital Video is a complete audio training guide as well as a quick problem-solving resource for the working pro. The author explains hundreds of real-world techniques to use from preproduction through the final mix. Readers get how-tos, tips, and time-savers, plus tutorials on key skills such as dialogue and music editing. This edition features deeper coverage of location techniques, including choosing the right mic, in-camera sound recording, getting sound into the camera cleanly, calibrating the camera to location sound equipment, working with mic booms, using separate recorders, and digital wireless. It also includes updates on working techniques, including new software categories for postproduction and new interchange standards.

Includes bibliographical references (p. 411-414) and index.

Table of contents provided by Syndetics

  • Introduction (p. vi)
  • FAQ (p. ix)
  • I Technicalities
  • 1. How Sound Works (p. 2)
  • 2. How Digital Audio Works (p. 22)
  • 3. Audio on a Wire (p. 43)
  • II Tips and Plans
  • 4. Planning for Sound (p. 58)
  • 5. Budgeting, Scheduling, and Pre-Production (p. 77)
  • III Production
  • 6. Microphones and Room Acoustics (p. 94)
  • 7. Recording Dialog (p. 116)
  • 8. Recording Voice-Overs, ADR, and Effects (p. 134)
  • IV Post-Production
  • 9. Post-Production Hardware (p. 177)
  • 10. Levels and Digitizing (p. 211)
  • 11. Editing Voices (p. 237)
  • 12. Working with Music (p. 258)
  • 13. Sound Effects (p. 283)
  • 14. Processing (p. 298)
  • 15. The Mix (p. 319)
  • Appendices
  • A. Glossary (p. 332)
  • B. Resources (p. 338)
  • C. The CD (p. 340)
  • Index (p. 345)

Author notes provided by Syndetics

Jay Rose is Creative Director of the Digital Playroom. Rose has written about audio for Videography, Recording, and Premiere Full Motion magazines

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