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Penguin by design : a cover story, 1935-2005 / Phil Baines.

By: Material type: TextTextPublication details: London ; New York : Allen Lane, 2005.Description: 255 str. : ilustr. ; 22 cmISBN:
  • 0713998393 (broš.)
  • 9780713998399 (broš.)
Subject(s): DDC classification:
  • 686.34 BAI
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan Clonmel Library Main Collection 686.34 BAI (Browse shelf(Opens below)) 1 Available R13727KRCC
Standard Loan Clonmel Library Main Collection 686.34 BAI (Browse shelf(Opens below)) 1 Available R13722KRCC
Standard Loan LSAD Library Main Collection 741.642 PEN (Browse shelf(Opens below)) 3 Available 39002100566901

Enhanced descriptions from Syndetics:

Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics.

By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques.

Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics.

Author notes provided by Syndetics

Phil Baines was born in Kendal, Westmorland in 1958. He graduated from St Martin's School of Art in 1985 and the Royal College of Art in 1987, and has been a Senior Lecturer at Central Saint Martin's College of Art & Design since 1991. He is author and designer of Type & typography, (with Andrew Haslam, 2002); and Signs, lettering in the environment, (with Catherine Dixon, 2003), both published by Laurence King. He is also a freelance graphic designer for clients including the Crafts Council, Goethe-Institut London, Matt's Gallery and Monotype Typography. His work often includes the use of his own typefaces, three of which have been released for general use: CanYou? (1991) and Ushaw (1994) by Neville Brody's Fuse, and Vere Dignum by Linotype in 2003.

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