Chuck Jones : a flurry of drawings / Hugh Kenner.
Material type: TextSeries: Portraits of American geniusPublication details: Berkeley : U. of California P., 1994.Description: 114 s. : illISBN:- 0520087976
- 9780520087972
- 741.5973 JON
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Standard Loan | LSAD Library Main Collection | 741.5973 JON (Browse shelf(Opens below)) | 1 | Available | 39002100569046 |
Browsing LSAD Library shelves, Shelving location: Main Collection Close shelf browser (Hides shelf browser)
741.5973 HAR A century of model animation : from Melies to Aardman / | 741.5973 HAR A century of model animation : from Melies to Aardman / | 741.5973 HEN Imagination illustrated : the Jim Henson journal / | 741.5973 JON Chuck Jones : a flurry of drawings / | 741.6 ABD Pictograms, icons & signs : a guide to information graphics / | 741.6 ABI It's a matter of illustration. | 741.6 AIR Logo design love : a guide to creating iconic brand identities / |
Enhanced descriptions from Syndetics:
Creator of the mono-maniacal Wile E. Coyote and his elusive prey, the Road Runner, Chuck Jones has won three Academy Awards and been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Who better to do Chuck Jones than Hugh Kenner, master wordsmith and technophile, a man especially qualified to illuminate the form of literacy that Jones so wonderfully executes in the art of character animation?
A Flurry of Drawings reveals in cartoon-like sequences the irrepressible humor and profound reflection that have shaped Chuck Jones's work. Unlike Walt Disney, Jones and his fellow animators at Warner Brothers were not interested in cartoons that mimicked reality. They pursued instead the reality of the imagination, the Toon world where believability is more important than realism and movement is the ultimate aesthetic arbiter. Kenner offers both a fascinating explanation of cartoon culture and a new understanding of art's relationship to technology, criticism, freedom, and imagination.
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