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DSLR cinema : crafting the film look with large sensor video cameras / Kurt Lancaster.

By: Material type: TextTextPublication details: Burlington, MA : Focal Press, 2013.Edition: 2nd edDescription: xxxi, 295 p. : ill. (chiefly col.) ; 24 cmISBN:
  • 9780240823737 (pbk.)
  • 0240823737 (pbk.)
Subject(s): DDC classification:
  • 791.44 LAN
Contents:
DSLR shoter\'s toolkit -- Master DSLR shooters at work : case studies -- Getting the gear.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan Clonmel Library Main Collection 791.44 LAN (Browse shelf(Opens below)) 1 Available 30026000070176

Enhanced descriptions from Syndetics:

Large sensor video cameras (DSLRs) offer filmmakers an affordable, high-quality image previously impossible without high-end cinema cameras. These video-capable DSLR cameras have revolutionized filmmaking, documentary production, journalism, television, and even Hollywood cinema. This book empowers the filmmaker to craft visually stunning images inexpensively.

DSLR Cinema presents insight into different shooting styles and real-world tips and techniques indispensible to any DSLR filmmaker. This updated and expanded edition includes new workflows for Adobe Premier and Final Cut X-from syncing external audio settings to using the right settings. It also covers the workflow for using Technicolor's picture style, CineStyle, designed on consultation with Canon scientists.

DSLR Cinema features case studies of an international cast of cutting edge DSLR shooters, including Philip Bloom, Shane Hurlbut, Bernardo Uzeda, Rii Schroer, Danfun Dennis, and many more. The films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.

Also be sure to check out www.kurtlancaster.com to view the videos discussed in the book.

Machine generated contents note: Part I Using the Cinematographer

Includes bibliographical references and index.

DSLR shoter\'s toolkit -- Master DSLR shooters at work : case studies -- Getting the gear.

Table of contents provided by Syndetics

  • Foreword (p. vii)
  • Acknowledgments (p. ix)
  • About the Website (p. xi)
  • Introduction: The HDSLR Cinema Revolution (p. xiii)
  • Part 1 DSLR Shooter's Toolkit
  • Chapter 1 Composition, Blocking, and Camera Movement (p. 5)
  • Chapter 2 Lighting Your DSLR Shoot (p. 23)
  • Chapter 3 Exposing Your Shots with DSLRs (p. 39)
  • Chapter 4 Using DSLR Picture Styles (p. 65)
  • Chapter 5 Recording Quality Audio with DSLRs: Yes, It's Possible! (p. 85)
  • Chapter 6 DSLR Postproduction Workflow and Techniques (p. 105)
  • Chapter 7 Telling Better Stories with Your DSLR (p. 137)
  • Part 2 Master DSLR Shooters at Work: Case Studies
  • Chapter 8 Crafting the Film Look with Postproduction (p. 161)
  • Chapter 9 Crafting the Film Look by Building a Rapport with Characters (p. 177)
  • Chapter 10 Crafting the Film Look with Cinema Lenses (p. 185)
  • Chapter 11 Crafting the Film Look with Location and CGI Art (p. 195)
  • Chapter 12 Crafting the Film Look with Light; Composition, and Blocking (p. 207)
  • Chapter 13 Crafting the Film Look with Sound Design (p. 229)
  • Chapter 14 Crafting the Film Look with Puppets and Miniature Sets (p. 241)
  • Part 3 Getting the Gear
  • Chapter 15 DSLR Cinema Gear for Low Budget Shooters (p. 253)
  • Chapter 16 Conclusion (p. 267)
  • Appendix 1 Image Resolution (p. 273)
  • Appendix 2 ISO Tests for the Canon 5D Mark II and 7D (p. 279)
  • Appendix 3 Exposure and Dynamic Range (p. 281)
  • Appendix 4 Luminance and Chrominance Compression (p. 283)
  • Appendix 5 Story Treatment to The Last 3 Minutes by Po Chan (p. 285)
  • Appendix 6 Twelve Steps for HDSLR Shooting (p. 291)
  • Index (p. 293)

Author notes provided by Syndetics

Kurt Lancaster, who earned his PhD from New York University, has shot documentaries that have screened nationally and internationally. He has also consulted for the Pulitzer Prize winning newspaper, The Christian. Science Monitor, training some of their print journalists in video journalism, as well as shooting and editing documentary journalism pieces. He is an associate professor of digital media in. the School of Communication at Northern Arizona University, where he teaches courses on documentary multimedia production, scriptwriting, and production techniques. His students have gone on to earn video journalism awards, screen documentaries at film festivals, as well as create independent video companies.

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