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A Cinema of Restraint: Michael Haneke's Amour. [thesis] Caoimhe Hernon.

By: Material type: TextTextPublication details: Limerick : Limerick School of Art and Design/LIT ; 2014. Description: 31 p. : col. ill. : 30cmSubject(s): DDC classification:
  • Thesis Fine Art 14/15
Contents:
This essay argues that Michael Haneke's Amour embodies a progression in style from the cold, agressive intellectualism of his preceeding films to a more restrained and emotionally engaging form of film, while maintaining the same intellectual rigour.
Dissertation note: Thesis submitted for B.A. Hons in Fine Art (Painting) 2014.

Thesis submitted for B.A. Hons in Fine Art (Painting) 2014.

Includes bibliographical References

This essay argues that Michael Haneke's Amour embodies a progression in style from the cold, agressive intellectualism of his preceeding films to a more restrained and emotionally engaging form of film, while maintaining the same intellectual rigour.

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