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Time/ Documents of Contemporary Art / edited by Amelia Groom.

Contributor(s): Material type: TextTextSeries: Documents of contemporary art seriesPublication details: Cambridge, MA : The MIT Press ; London : Whitechapel Gallery, 2013.Description: 237 pages ; 21 cmISBN:
  • 9780262519663 (pbk. : alk. paper : MIT)
  • 0262519666 (pbk. : alk. paper : MIT)
  • 9780854882151 (Whitechapel Gallery)
  • 0854882154 (Whitechapel Gallery)
Uniform titles:
  • Time (M.I.T. Press)
Subject(s): DDC classification:
  • 709.04 WHI
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 709.04 WHI (Browse shelf(Opens below)) 1 Available 39002100574715

Enhanced descriptions from Syndetics:

A survey of contemporary art and theory that proposes alternatives to outdated linear models of time What does 'contemporary' actually mean? This is among the fundamental questions about the nature and politics of time that philosophers, artists and more recently curators have investigated over the past two decades. If clock time-a linear measurement that can be unified, followed and owned-is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time?
Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, dej vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync-all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question. This collection surveys contemporary art and theory that proposes a wealth of alternatives to outdated linear models of time.
Artists surveyed include
Marina Abramovic, Francis Al_x00FF_s, Matthew Buckingham, Janet Cardiff, Paul Chan, Olafur Eliasson, Bea Fremderman, Toril Johannessen, On Kawara, Joachim Koester, Christian Marclay, nova Milne, Trevor Paglen, Katie Patterson, Raqs Media Collective, Dexter Sinister, Simon Starling, Hito Steyerl, Hiroshi Sugimoto, Tehching Hsieh, Time/Bank, Mark von Schlegell
Writers include
Giorgio Agamben, Mieke Bal, Geoffrey Batchen, Hans Belting, Walter Benjamin, Franco Berardi, Daniel Birnbaum, Georges Didi-Huberman, Dogen Zenji, Peter Galison, Boris Groys, Brian Dillon, Elena Filipovic, Joshua Foer, Elizabeth Grosz, Adrian Heathfield, Rachel Kent, Bruno Latour, George Kubler, Doreen Massey, Alexander Nagel, Jean-Luc Nancy, Daniel Rosenberg, Michel Serres, Michel Siffre, Nancy Spector, Nato Thompson, Christopher Wood, George Woodcock

What does contemporary actually mean? This is among the fundamental questions about the nature and politics of time that philosophers, artists and more recently curators have investigated over the past two decades. If clock time a linear measurement that can be unified, followed and owned is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time?

Artists surveyed include Marina Abramovi?, Francis Al?s, Matthew Buckingham, Janet Cardiff, Paul Chan, Olafur Eliasson, Bea Fremderman, Toril Johannessen, On Kawara, Joachim Koester, Christian Marclay, nova Milne, Trevor Paglen, Katie Patterson, Raqs Media Collective, Dexter Sinister, Simon Starling, Hito Steyerl, Hiroshi Sugimoto, Tehching Hsieh, Time/Bank, Mark von Schlegell Writers include Giorgio Agamben, Mieke Bal, Geoffrey Batchen, Hans Belting, Walter Benjamin, Franco Berardi, Daniel Birnbaum, Georges Didi-Huberman, Dōgen Zenji, Peter Galison, Boris Groys, Brian Dillon, Elena Filipovic, Joshua Foer, Elizabeth Grosz, Adrian Heathfield, Rachel Kent, Bruno Latour, George Kubler, Doreen Massey, Alexander Nagel, Jean-Luc Nancy, Daniel Rosenberg, Michel Serres, Michel Siffre, Nancy Spector, Nato Thompson, Christopher Wood, George Woodcock

Includes bibliographical references (pages 226-230) and index.

Author notes provided by Syndetics

Amelia Groom is an art historian and a postdoctoral Fellow at ICI Berlin Cultural Institute. Her writing on art has been published e-flux journa l, Frieze , Art Agenda, and other publications. She edited Time , a volume in the Documents of Contemporary Art series (Whitechapel Gallery/MIT Press).

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