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Cornelia Parker / Iwona Blazwick; foreword by Yoko Ono; introduction by Bruce W. Ferguson ; commentaries by Cornelia Parker.

By: Contributor(s): Material type: TextTextPublication details: London Thames & Hudson, 2013.Edition: First paperback editionDescription: 256 pages : colour photographs ; 29 cmISBN:
  • 9780500291092
  • 0500291098
Subject(s): DDC classification:
  • 730.92 PAR
Summary: ART STYLES: C 1960 -. Cornelia Parker is one of the most thoughtful and profound artists working in Britain today. Exploring everything from ghosts and gravity to relics and the unconscious, she transforms everyday, ordinary objects into compelling works of art. Parkers projects which have included blowing up a shed, steamrolling musical instruments, exploding a firework made from a pulverised meteorite, and suspending charcoal taken from a church struck by lightning have captured the public imagination since she first came to prominence in the 1990s. This monograph, now available in paperback, traces the development of her art from the late 1970s to the present day. Organised chronologically to show the development of her thinking and practice, the book also features five thematic essays by curator and writer Iwona Blazwick. Over 175 works are illustrated, each accompanied by a commentary from the artist herself.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 730.92 PAR (Browse shelf(Opens below)) 1 Available 39002100469072

Enhanced descriptions from Syndetics:

Cornelia Parker is one of the most original and inventive artists working in Britain today. Her wide-ranging practice, chiefly in sculpture and installation, touches on the fragility of human experience and is rich with visual and literary allusions. Exploring everything from ghosts and gravity to relics and the unconscious, she transforms everyday, ordinary objects into compelling works of art. Parker's projects - which have included blowing up a shed, steamrolling musical instruments and sending meteorites back into space - have captured the public imagination since she first came to prominence.

In this book the artist takes the reader on a personal tour through her works. Beginning with the small-scale sculptures she made as a student, it includes her work in lead and plaster, silver and gold, alongside drawings, photographs, video pieces and installations. Parker's engaging commentaries describe her adventures with the unlikely institutions that have helped create her art, from the British Army to the Royal Mint, as well as her wide-ranging travels, which have taken her from the funeral parlours of São Paulo to the crown-of-thorn workshops of Bethlehem.

Organized chronologically, the book features thematic essays by Iwona Blazwick, contextualizing the artist's work and pointing to her key influences and interests, from abstraction and performance to archaeology and psychoanalysis.

The book features a foreword by Yoko Ono and an introduction by curator Bruce Ferguson. Supplemented by an up-to-date biography, bibliography and exhibition history, this is the definitive book on one of the most popular artists of our time.

Includes bibliographical references and index.

ART STYLES: C 1960 -. Cornelia Parker is one of the most thoughtful and profound artists working in Britain today. Exploring everything from ghosts and gravity to relics and the unconscious, she transforms everyday, ordinary objects into compelling works of art. Parkers projects which have included blowing up a shed, steamrolling musical instruments, exploding a firework made from a pulverised meteorite, and suspending charcoal taken from a church struck by lightning have captured the public imagination since she first came to prominence in the 1990s. This monograph, now available in paperback, traces the development of her art from the late 1970s to the present day. Organised chronologically to show the development of her thinking and practice, the book also features five thematic essays by curator and writer Iwona Blazwick. Over 175 works are illustrated, each accompanied by a commentary from the artist herself.

Author notes provided by Syndetics

Iwona Blazwick has been Director of the Whitechapel Gallery in London since 2003.

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