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A body / John Coplans.

By: Material type: TextTextPublication details: New York, NY : PowerHouse Books, 2002.Edition: 1st edDescription: 185 pages : illustrations ; 35 cmISBN:
  • 1576871363
  • 9781576871362
Subject(s): Additional physical formats: Online version:: Body.DDC classification:
  • 704.942 COP
Online resources:
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 704.942 COP (Browse shelf(Opens below)) 1 Available 39002100576306

Enhanced descriptions from Syndetics:

For 33 years, Coplans has photographed his body nude, from the age of 58 to the age of 81. Mythic in scope and unflinching in its examination of one person's humanness and mortality, in this sequence of 115 duotone images, Coplans transcends the boundaries of photography as an art. Epic, grotesque, bittersweet, sensual, provocative, funny and even, at times, absurd, Coplans achieves a visual meditation on the compelling relationship between sensuality, ageing and death that is unparalleled in the history of the medium. 'I gasped in admiration' - The Village Voice

Includes bibliographical references (pages 183-185).

Author notes provided by Syndetics

For thirty-three years, John Coplans has photographed his body nude. He made his first picture of his back and hands in 1978 when he was fifty-eight and the last in 2001, at the age of eighty-one. Mythic in scope and unflinching in its examination of one person's humanness and mortality, Coplans transcends, in this sequence of 115 images, the boundaries of photography as an art. A painter by training and a self-taught photographer by choice, Coplans uses his own headless body as his subject matter and as his medium to investigate every inch and idea about his maleness. Epic, grotesque, bittersweet, sensual, provocative, poignant, funny, and even--at times--absurd, Coplans achieves a visual meditation on the compelling relationship between sensuality, aging, and death that is unparalleled in the history of the medium.

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