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Peter Beard.

By: Material type: TextTextPublication details: Köln : Taschen, [2013]Description: 769 pages : illustrations (chiefly color) ; 35 cmISBN:
  • 3836530880
  • 9783836530880
Subject(s): DDC classification:
  • 770.92 BEA
Contents:
Foreword / Peter Beard -- Omnivore / Owen Edwards -- I. Diaries -- II. Collages -- III. Picture index -- Biography -- A conversation / Steven M.L. Aronson -- A skorpios memory / Peter Beard -- From biology to photography / Peter Beard -- Publications and exhibitions.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 770.92 BEA (Browse shelf(Opens below)) 1 Available 39002100576504

Enhanced descriptions from Syndetics:

Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Daliacute;, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stonesmdash;all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new onesmdash;most notably Imanmdash;back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen)in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenyarsquo;s population explosion, which challenged finite resources and stressed animal populationsmdash;including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he sawmdash;with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. In 2006 TASCHEN published the book that has come to define his oeuvre, signed by the artist and published in two volumes. It sold out instantly and became a highly sought after collectorrsquo;s item. Now the book you couldnrsquo;t get your hands on is available in one volume, a handsome hardcover edition revised by Nejma Beard with new images never published before.

"This edition is based on the original limited edition book, first published in 2008 ..."--Page 769.

"Edited by Nejma Beard and David Fahey, based on the original design by Ruth Ansel"--Page 769.

Foreword / Peter Beard -- Omnivore / Owen Edwards -- I. Diaries -- II. Collages -- III. Picture index -- Biography -- A conversation / Steven M.L. Aronson -- A skorpios memory / Peter Beard -- From biology to photography / Peter Beard -- Publications and exhibitions.

English, German, and French.

Author notes provided by Syndetics

The artist:
Born in New York City in 1938,  Peter Beard  began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and '70s he worked in Tsavo Park, the Aberdares, and Lake Rudolf in Kenya's northern frontier. He is a constant creator, Beard the chronicler photographs, writes draws, collages and assembles a history of his life experiences and our own. He lives in New York City, Long Island, and Kenya with his wife, Nejma, and daughter, Zara.

The editors:
Nejma Beard  is Peter Beard's agent and Executive Director of the Peter Beard Studio. Her spirit and experience are synchronous with Beard's--having been born and raised in Kenya. This deep familiarity and a devotion to a place and a people forms their unique collaborative relationship. Primary to her work is a deep concern for the future of the world and a commitment to ecologic efforts. She curates exhibitions, art-directs photo shoots, and edits and assists with all Beard publications.

David Fahey  is co-owner of the Fahey/Klein Gallery, Los Angeles. During his 31-year career in the field, he has collaborated on over 45 fine art photography books. He is the co-vice president of the Herb Ritts Foundation and serves on the Photography Advisory Council for the J. Paul Getty Museum.

The authors:
Owen Edwards  has written about photography for 30 years, for theAmerican Photographer, New York Times Magazine, New York magazine, The Village Voice, Saturday Review, Vogue, Smithsonian magazine, and many other publications.

Steven M. L. Aronson , a former book publisher, is a writer and editor. He edited and published Peter Beard's book Longing for Darkness and wrote the T.V. special The End of the Game. He is the author of HYPE and the co-author of Savage Grace.

The contributor:
Ruth Ansel  is an award-winning art director known for her innovative design at many of America's top fashion and cultural magazines since the 1960s. Ansel Design Studio (est. 1992) has produced international fashion campaigns and books with photographers including Peter Beard, Richard Avedon, and Annie Leibovitz.

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