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The cage / Martin Vaughn-James.

By: Material type: TextTextToronto, O.N., Canada : Coach House Books, [2013] ©2013Description: 1 volume (unpaged) : illustrations ; 24 cmISBN:
  • 9781552452875
  • 1552452875
Subject(s): Genre/Form: DDC classification:
  • 741.51 VAU
Summary: First published in 1975, The Cage was a graphic novel before there was a name for the medium. Cryptic and disturbing, it spurns narrative for atmosphere, guiding us through a labyrinthine series of crumbling facades, disarrayed rooms and desolate landscapes, as time stutters backward and forward. Within the cage\'s barbed-wire confines, we observe humanity only through its traces: a filmic sequence of discarded objects--headphones, inky stains, dishevelled bedsheets--scored by a deafening cacophony of breaths, cries and unsettling silence--Back cover.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 741.51 VAU (Browse shelf(Opens below)) 1 Available 39002100590422

Enhanced descriptions from Syndetics:

First published in 1975, The Cage was a graphic novel before there was a name for the medium. Cryptic and disturbing, it spurns narrative for atmosphere, guiding us through a labyrinthine series of crumbling facades, disarrayed rooms and desolate landscapes, as time stutters backward and forward. Within the cage's barbed-wire confines, we observe humanity only through its traces: a filmic sequence of discarded objects -headphones, inky stains, dishevelled bedsheets -scored by a deafening cacophony of breaths, cries and unsettling silence.

This new edition, which includes an introduction by comics master Seth, brings Martin Vaughn-James's nightmarish vision to a new generation of readers.

'I don't use the word "masterpiece" lightly. I think The Cage is a masterpiece of comic art.'- Seth

'Vaughn-James remains a significant figure in comics history because his work was singular, literate, experimental, and often unsurpassably good.' - The Walrus

'It is a masterpiece, demonstrating a level of skill and insight very few have even aspired to in the nearly 40 years since its initial publication ... this work is strongly recommended for every true fan of the graphic arts.' - Publishers Weekly (starred review)

Chiefly illustrations.

Originally printed in an edition of 1,500 copies at the Coach House Press in Toronto in 1975--Title page verso.

First published in 1975, The Cage was a graphic novel before there was a name for the medium. Cryptic and disturbing, it spurns narrative for atmosphere, guiding us through a labyrinthine series of crumbling facades, disarrayed rooms and desolate landscapes, as time stutters backward and forward. Within the cage\'s barbed-wire confines, we observe humanity only through its traces: a filmic sequence of discarded objects--headphones, inky stains, dishevelled bedsheets--scored by a deafening cacophony of breaths, cries and unsettling silence--Back cover.

Author notes provided by Syndetics

Martin Vaughn-James (1943-2009) was a painter and groundbreaking comics artist who published three graphic novels with Coach House Press: The Projector (1971), The Park (1972) and The Cage (1975). Born in England, he spent much of his youth in Australia before moving to Canada. Vaughn-James is widely recognized as a pioneer in the development of the graphic novel. Later in life, he moved to Belgium, where he focused on painting. Vaughn-James also published two works of prose fiction: Night Train (1989) and The Tomb of Zwaab (1991).

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