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Robert Rauschenberg.

By: Contributor(s): Material type: TextTextPublication details: [S.l.] : Museum Of Modern Art, Ny, 2016.ISBN:
  • 1633450201
  • 9781633450202
Subject(s): DDC classification:
  • 759.13 RAU
Contents:
The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg (1925-2008) blazed a new trail for art in the second half of the twentieth century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter of Rauschenberg\'s six-decade career will be represented by major works. Introduced by Leah Dickerman, this book collects fourteen essays focusing on key moments in Rauschenberg\'s oeuvre.[From inside flap]
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 759.13 RAU (Browse shelf(Opens below)) 1 Available 39002100625897

Enhanced descriptions from Syndetics:

The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new intermedia forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this defining figure, this book offers fresh perspectives on Rauschenberg's widely celebrated Combines (1954-64) and silkscreen paintings (1962-64). It also illuminates lesser-known periods within Rauschenberg's career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.

Sixteen short essays by eminent scholars and emerging new writers focus on specific moments within Rauschenberg's career, examining his creative production across an extraordinary range of media. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career in 20 years, an important contribution to American cultural and intellectual history across disciplines and a necessary volume for anyone interested in art of the present day.

Over the span of six decades, Robert Rauschenberg (1925-2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance, and became one of the most transformative figures in postwar American culture. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that continues to resonate today.

The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg (1925-2008) blazed a new trail for art in the second half of the twentieth century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter of Rauschenberg\'s six-decade career will be represented by major works. Introduced by Leah Dickerman, this book collects fourteen essays focusing on key moments in Rauschenberg\'s oeuvre.[From inside flap]

Author notes provided by Syndetics

Leah Dickermanis The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art. Achim Borchardt-Humeis Director of Exhibitions, Tate Modern. Yve-Alain Boisis Professor of Art History, Institute for Advanced Study, Princeton University. Andrianna Campbellis a Doctoral Candidate, CUNY Graduate Center. Hal Fosteris Townsend Martin, Class of 1917, Professor of Art and Archaeology, Princeton University. Mark Godfreyis Senior Curator, International Art (Europe and Americas), Tate Modern. Hiroko Ikegamiis Associate Professor, Graduate School of Intercultural Studies, Kobe University. Branden Josephis Frank Gallipoli Professor of Modern and Contemporary Art, Art History and Archaeology, Columbia University. Ed Krcmais Lecturer in Art History, University of East Anglia. Michelle Kuois Editor in Chief, Artforum International Magazine. Pamela Leeis Jeanette and William Hayden Jones Professor in American Art and Culture, Stanford University. Emily Liebertis Curatorial Assistant, Department of Painting and Sculpture, The Museum of Modern Art. Richard Meyeris Robert and Ruth Halperin Professor in Art History, Stanford University. Helen Molesworthis Chief Curator, The Museum of Contemporary Art, Los Angeles. Kate Nesinis Associate Curator, Art Institute of Chicago. Sarah Robertsis Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art. Catherine Woodis Senior Curator, International Art (Performance).

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