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Seurat, Signac, Van Gogh. Ways of pointillism. Klaus Albrecht Schröder.

Contributor(s): Material type: TextTextPublication details: München : Hirmer Verlag GmbH 2016.Description: 256 pISBN:
  • 9783777426341
  • 3777426342
Other title:
  • Ways of Pointillism
Subject(s): DDC classification:
  • 759.055 POI
Summary: With their pioneering method using dots, the artists of Pointillism no longer directed their gaze only towards the imitation of reality. In their paintings between 1886 and 1930 their dots, colour and light assumed an independent existence to create masterpieces of unprecedented brightness and colour diversity. 0The works by the inventors of this technique, Georges Seurat and Paul Signac, marked the beginning of this exuberant outburst of colour. Works by Henri Matisse, Pablo Picasso, Carlo Carrá, Karl Schmidt-Rottluff, Piet Mondrian and Paul Klee demonstrate how artists made a study of Pointillism during the 20th century. Vincent van Gogh contributed to the way that modernist painters abandoned Pointillism. More than 100 selected works, including paintings, watercolours and drawings, illuminate the dawn of a new era which this art movement was responsible for bringing about: the beginning of modern painting. 0Exhibition: Albertina, Vienna, Austria (16.09.2016-08.01.2017).
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 759.055 POI (Browse shelf(Opens below)) 1 Available 39002100624734

Enhanced descriptions from Syndetics:

Pointillism is one of the few artistic movements to achieved near-ubiquitous recognition. Works like Paul Signac's Portrait of Felix Feneon or Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte appear in almost every major museum, where we delight in examining the thousands of tiny, distinct dots before stepping back to watch them blend together, as if by magic, to form richly detailed masterpieces of exceptional brightness and color. In addition to their beauty, we are fascinated with pointillism because this pathbreaking method was among the see artists render figures and landscapes in a way that did not focus solely on the imitation of reality.

Pointillism: From End to Beginning: Seurat, van Gogh, Matisse and Picasso brings together more than one hundred paintings and drawings from the mid-1880s to 1930 that take readers through the movement, from the earliest works by Signac and Seurat through various later developments in pointillist technique to the late days of the movement, when Vincent van Gogh and other artists of the modern era began to free themselves from pointillism's constraints. In addition to Signac, Seurat, and Van Gogh, Pointillism includes works by Henri Matisse, Pablo Picasso, and Paul Klee, among many others. The book shows how artists approached this method throughout the twentieth century. Critical texts additionally explore how this movement marked a major turning point--the beginning of modern painting.

Drawing on masterpieces from around the world, Pointillism guides readers through this beloved branch of impressionism, bringing it to life with nearly two hundred full-color illustrations, including full and detail photographs.

With their pioneering method using dots, the artists of Pointillism no longer directed their gaze only towards the imitation of reality. In their paintings between 1886 and 1930 their dots, colour and light assumed an independent existence to create masterpieces of unprecedented brightness and colour diversity. 0The works by the inventors of this technique, Georges Seurat and Paul Signac, marked the beginning of this exuberant outburst of colour. Works by Henri Matisse, Pablo Picasso, Carlo Carrá, Karl Schmidt-Rottluff, Piet Mondrian and Paul Klee demonstrate how artists made a study of Pointillism during the 20th century. Vincent van Gogh contributed to the way that modernist painters abandoned Pointillism. More than 100 selected works, including paintings, watercolours and drawings, illuminate the dawn of a new era which this art movement was responsible for bringing about: the beginning of modern painting. 0Exhibition: Albertina, Vienna, Austria (16.09.2016-08.01.2017).

Author notes provided by Syndetics

Klaus Albrecht Schröder is an art historian and director of the Albertina, a museum in Vienna, Austria, with a focus on old master prints and drawings and twentieth-century art. He is also the editor of Chagall to Malevich: The Russian Avant-Gardes, also published by Hirmer Publishers.

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