Painting beyond itself : the medium in the post-medium condition / edited by Isabelle Graw and Ewa Lajer-Burcharth.
Material type:
TextPublication details: Berlin : Sternberg Press, [2016]Description: 289 pages : illustrations ; 19 cmISBN: - 3956790073
- 9783956790072
- 759.061 GRA
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 759.061 GRA (Browse shelf(Opens below)) | Available | 39002100609644 | |||
| Standard Loan | LSAD Library Main Collection | 759.061 GRA (Browse shelf(Opens below)) | 1 | Checked out | 30/06/2020 | 39002100626671 |
Enhanced descriptions from Syndetics:
In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself- The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book-based on a conference at Harvard University in 2013-focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation. Contributors
Carol Armstrong, Benjamin H. D. Buchloh, Sabeth Buchmann, Rene Demoris, Isabelle Graw, David Joselit, Jutta Koether, Ewa Lajer-Burcharth, Jacqueline Lichtenstein, Julie Mehretu, Matt Saunders, Amy Sillman
Institut f r Kunstkritik Series
Based on a conference at Harvard University in 2013--Page 4 of cover.
Includes bibliographical references.
Marking, scoring, storing, and speculating (on time) / David Joselit -- Scenes of instruction / Ewa Lajer-Burcharth -- Beyond, beyond! Two years after the conference / Jutta Koether -- Modern color: a new paradigm / Jacqueline Lichtenstein -- The value of liveliness: painting as an index of agency in the new economy / Isabelle Graw -- On color / Amy Sillman -- Welcome to the second day / Isabelle Graw -- Painting photography painting: timelines and medium specificities / Carol Armstrong -- Rehearsing in/with media: some remarks on the relationship between dance, film and painting / Sabeth Buchmann -- Thread, pixel, grain / Matt Saunders -- Body and soul: about the practice of painting in France (1660-1770) / René Démoris -- A nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / Benjamin H.D. Buchloh -- Notes on painting / Julie Mehretu.
In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book - based on a conference at Harvard University in 2013 - focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation.
Author notes provided by Syndetics
Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst . In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule.David Joselit is Professor of Art, Film and Visual Studies at Harvard University. He is the author of Infinite Regress- Marcel Duchamp 1910-1941 , Feedback- Television against Democracy (both published by the MIT Press), American Art Since 1945 , and After Art .
Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst . In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule.
Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst . In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule.
Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library- Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998).
Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna.
Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry- Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.