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Wolfgang Tillmans. Abstract pictures. Dominic Eichler.

By: Material type: TextTextPublication details: Ostfildern : Hatje/Cantz 2015.Description: 384 pages; color illustrations; 27cmISBN:
  • 9783775740814
  • 3775740813
Subject(s): DDC classification:
  • 770.92 TIL
Summary: Apart from his seminal portraits, party images, and still lifes that gained him recognition in the nineties, Wolfgang Tillmans (*1968 in Remscheid) long ago began dealing with more abstract motifs. In the past decade he has consistently developed his approach to create totally non-representational works that examine themes such as the process of exposure and image supports. From the delicate veils of color in Blushes and Freischwimmer or the sculptural paper drops made of rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the photograph itself — essentially divorced from its reproductive function — becomes the objet d’art, as the book here, designed by the artist himself, impressively demonstrates.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 770.92 TIL (Browse shelf(Opens below)) 1 Available 39002100629196

Enhanced descriptions from Syndetics:

Apart from his seminal portraits, party images, and still lifes that gained him recognition in the nineties, Wolfgang Tillmans (*1968 in Remscheid) long ago began dealing with more abstract motifs. In the past decade he has consistently developed his approach to create totally non-representational works that examine themes such as the process of exposure and image supports. From the delicate veils of color in Blushes and Freischwimmer or the sculptural paper drops made of rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the photograph itself-essentially divorced from its reproductive function-becomes the objet d'art, as the book here, designed by the artist himself, impressively demonstrates.

Apart from his seminal portraits, party images, and still lifes that gained him recognition in the nineties, Wolfgang Tillmans (*1968 in Remscheid) long ago began dealing with more abstract motifs. In the past decade he has consistently developed his approach to create totally non-representational works that examine themes such as the process of exposure and image supports. From the delicate veils of color in Blushes and Freischwimmer or the sculptural paper drops made of rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the photograph itself — essentially divorced from its reproductive function — becomes the objet d’art, as the book here, designed by the artist himself, impressively demonstrates.

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