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Women and ceramics gendered vessels Moira Vincentelli

By: Material type: TextTextPublication details: Manchester Manchester University Press 2000Edition: 1stDescription: xii, 290p. illsISBN:
  • 0719038405
Subject(s): DDC classification:
  • 738.082 VIN
Holdings
Item type Current library Call number Copy number Status Date due Barcode
2 Hour Loan LSAD Library Reserve - Library Issue Desk 738.082 VIN (Browse shelf(Opens below)) 1 Library Use Only 39002000280199

Enhanced descriptions from Syndetics:

This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.

Includes bibliographical references and index

Table of contents provided by Syndetics

  • List of illustrations (p. ix)
  • Acknowledgements (p. xiii)
  • 1 Introduction (p. 1)
  • 2 Ancient times (p. 9)
  • 3 Gender, technology and technique (p. 33)
  • 4 Into the spotlight: female tradition and individuality (p. 58)
  • 5 The decorative woman (p. 77)
  • 6 Women, collecting and display (p. 106)
  • 7 Working together (p. 132)
  • 8 Supporting roles: women as patrons, promoters, writers and teachers (p. 162)
  • 9 Running the business (p. 193)
  • 10 Gender, identity and studio ceramics (p. 220)
  • 11 Conclusion - the gendered vessel (p. 254)
  • Bibliography (p. 259)
  • Index (p. 279)

Author notes provided by Syndetics

Moira Vincentelli is Lecturer in Art History and Curator of Ceramics at the University of Wales, Aberystwyth

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