New takes in film-philosophy /
edited by Havi Carel and Greg Tuck.
- Houndmills, Basingstoke, Hampshire, UK ; New York : Palgrave Macmillan 2011.
- xii, 259 p. ; 23 cm.
Includes filmographies. Includes bibliographical references and index.
Deep focus : approaches to film-philosophy. On the possibility of cinematic philosophy / Re-enfranchising film : towards a romantic film-philosophy / Notes on Stanley Cavell and philosophical film criticism / Broken glass by the road : Adorno and a cinema of negativity / Film can\'t philosophise (and neither can philosophy) : introduction to a non-philosophy of cinema / Wide angles : the boundaries of film-philosophy. The loom of fate : graphic origins and digital ontology in Wanted / Film, literature and non-cognitive affect / Theory as style : adapting Crash via Baudrillard and Cronenberg / The ghost is the machine : media-philosophy and materialism / Art, cinema, sex, ontology : Maurice Merleau-Ponti and the in-visible of cinema / Directors cut : reading in film-philosophy. Fleshing out the image : phenomenoloogy, pedagogy, and Derek Jarman\'s Blue / Serious men : the films of the Coen brothers as ethics / A bleak burlesque : Michael Hanake\'s Funny games as a study in violence / In the grip of grief : epistemic impotence and the materialisty of mourning in Shinya Tsukamoto\'s Vital / Thomas E. Wartenberg ; Robert Sinnerbrink ; Andrew Klevan ; Hamish Ford ; John Mullarkey -- Stephen Mulhall ; Amy Coplan and Derek Matravers ; Catherine Constable ; Karin Littau ; Greg Tuck -- Vivian Sobchack ; Julian Baggini ; Andrew McGettigan ; Havi Carel.