Rascaroli, Laura. <br/><br/>
The personal camera :  subjective cinema and the essay film / 
 Subjective cinema and the essay film 
Laura Rascaroli. 
 - London --  New York :  Wallflower Press,  2009. 
 - viii, 226 p. :  ill. --  24 cm. 
<br/><br/>Includes bibliographical references (p. 206-219) and index. 
<br/><br/>The essay film: problems, definitions, textual commitments -- The metacritical voice(over) of the essay film: Harun Farocki, found footage and the essayist as spectator -- The musealisation of experience: Chris Marker\'s digital subject between archive, museum and database -- Performance and negotiation: Jean-Luc Godard plays Jean-Luc Godard -- First-person filmmaking: history, theory, practices -- The diary film: Aleksandr Sokurov\'s Spiritual Voices and the feeling of time -- The notebook film: Pier Paolo Pasolini and the film that cannot be made -- The self-portrait film: Michelangelo\'s last gaze. 
<br/><br/><label>ISBN: </label>9781906660123 (pbk.) 1906660123 (pbk.) 
<br/><br/><label>Subjects--Personal Names: </label><br/>Godard, Jean-Luc, 1930- <br/>Marker, Chris
<br/><br/><label>Subjects--Topical Terms: </label><br/>Documentary-style films--History and criticism.<br/>Motion pictures--History.<br/>First person narrative.<br/>Subjectivity in motion pictures.<br/>Point of view (Literature)
<br/><br/><label>Dewey Class. No.: </label>791.4301 RAS