Gillick, Liam,  1964- <br/><br/>
Industry and intelligence :  contemporary art since 1820 / 
Liam Gillick. 
 - New York :  Columbia University Press,  [2016] 
 - xv, 140 pages, 50 unnumbered pages of plates ;  21 cm. 
 - Bampton lectures in America .
 - Bampton lectures in America. .
<br/><br/>Includes bibliographical references (pages 129-131) and index. 
<br/><br/>Introduction: creative disruption in the age of soft revolutions -- Contemporary art does not account for that which is taking place -- Projection and parallelism -- art as a pile: split and fragmented simultaneously -- 1820: Erasmus and upheaval -- ASAP futures, not infinite future -- 1948: B. F. Skinner and counter-revolutio -- Abstract -- 1963: Herman Kahn and projection -- The complete curator -- Maybe it would be better if we worked in groups of three? -- The return of the border -- 1974: Volvo and the mise-en-scène -- The experimental factory -- Nostalgia for the group -- Why work?. 
<br/><br/><label>ISBN: </label>9780231170208 0231170203 
<br/><br/><label>LCCN: </label>2015020970 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Art, Modern--Themes, motives.<br/>Art and society.
<br/><br/><label>Dewey Class. No.: </label>709.04 GIL