TY  - BOOK
AU  - Butchart,Amber
TI  - The fashion of film: how cinema has inspired fashion 
SN  - 178472176X
AV  - TT506 .B883 2016
U1  - 791.43 BUT 
PY  - 2016///
CY  - London
PB  - Mitchell Beazley
KW  - Fashion in motion pictures
KW  - Motion picture actors and actresses
KW  - Clothing
KW  - Fashion design
KW  - History
KW  - 20th century
KW  - fast
KW  - ART / Film & Video
KW  - bisacsh
KW  - DESIGN / Fashion & Accessories
N1  - Includes index and bibliographic references; Crime: dressed to kill -- The Big Sleep, 1946 -- Marnie, 1964 -- The Italian Job, 1969 -- Foxy Brown, 1974 -- Eyes of Laura Mars, 1978 -- Cry-Baby, 1990 -- The musical: spectacular fashion -- Zouzou, 1934 -- Top Hat, 1935 -- The Gang's All Here, 1943 -- West Side Story, 1961 -- Waqt, 1965 -- Wild Style, 1983 -- Historical epic: dressed to excess -- The Lucky Horseshoe, 1925 -- Gone With the Wind, 1939 -- Seven Samurai, 1954 -- Cleopatra, 1963 -- The Leopard, 1963 -- Dr Zhivago, 1965 -- Marie Antoinette, 2006 -- Horror: supernatural chic -- The Cabinet of Dr. Caligari, 1920 -- Bride of Frankenstein, 1935 -- The Wicker Man, 1973 -- Suspiria, 1977 -- The Hunger, 1983 -- Ring, 1998 -- Romantic drama: seductive style -- Morocco, 1930 -- Letty Lynton, 1932 -- The Red Shoes, 1948 -- Black Orpheus, 1959 -- Belle de Jour, 1967 -- In the Mood for Love, 2000 -- Sci-fi & fantasy: bionic bodies -- Metropolis, 1927 -- Barbarella, 1968 -- The Stepford Wives, 1975 -- Tron, 1982 -- Mad Max Beyond Thunderdome, 1985 -- Batman, 1989 -- The Hunger Games: Catching Fire, 2013 -- Art house & independent: style with substance -- Aelita: Queen of Mars, 1924 -- The Blood of a Poet, 1932 -- Breathless, 1960 -- The Holy Mountain, 1973 -- Grey Gardens, 1975 -- Wings of Desire, 1987 -- Moonrise Kingdome, 2012
N2  - "The Fashion of Film takes a journey through the last 100 years of cinema style to investigate how the most iconic movies have influenced the world of high fashion. Researched extensively at the BFI library, the book examines this influence through 45 films across seven genres. 'Crime: Dressed to Kill' investigates the darker side of human nature that has provided us with style-obsessed archetypes, from the noir detective to the femme fatale. 'The Musical: Spectacular Fashion' looks at the lavish excess of this mid-century favourite and how it continues to inspire designers, while 'Historical Epic: Dressed to Excess' shows that the distant past still has the power to inspire the future, especially when mediated through the glamour of the film lens. 'Horror: Supernatural Chic' centres on the aesthetics of the paranormal, and how blood and monsters can provide unlikely inspiration for dress. 'Romantic Drama: Seductive Style' concentrates on the role of love and heartbreak in adorning the body, while 'Sci-Fi & Fantasy: Bionic Bodies' explores how our obsession with the future, or alternative realities, can shape the styles of the present. Finally 'Art House & Independent: Style with Substance' focuses on films that are made outside the mainstream, shaped by an auteur, whose particular vision can provide unique inspiration for the world of style"--Publisher's description
ER  -