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Out of the box : the reinvention of art, 1965-1975 / by Carter Ratcliff.

By: Material type: TextTextSeries: Aesthetics todayPublication details: New York : Allworth ; Garsington : Windsor, 2001.Description: 224 p. : ill. ; 23 cmISBN:
  • 1581150733
Subject(s): DDC classification:
  • 709.73 RAT
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 709.73 RAT (Browse shelf(Opens below)) 1 Available 39002000229774

Enhanced descriptions from Syndetics:

The author, a leading art critic, focuses a new lens on this radical movement, showing the nuances that defined Minimalism in its various phases, as characterized by the inflected object, the disintegrated object, the ironic object ­then the transition from the object to architecture, space, landscape, cityscape, body, performance, and conceptual art. No other account has documented in such detail the scope and impact of this artistic revolution, which the author argues spanned all mediums and pushed every aesthetic possibility of Minimalism to an extreme.

Table of contents provided by Syndetics

  • Acknowledgments (p. iv)
  • Introduction: Smashing the Minimalist Enclosure (p. vi)
  • Out of the Box (p. viii)
  • Apodicticity (p. 3)
  • From Box to Plane and Line (p. 15)
  • Line Continued (p. 25)
  • Line Enlarged (p. 37)
  • Line Erased (p. 47)
  • From Line to Grid (p. 59)
  • Grid Continued (p. 69)
  • From Grid to Room (p. 81)
  • From Room to Maze (p. 95)
  • Maze Continued (p. 109)
  • Irony (p. 123)
  • Dread (p. 135)
  • Disintegration (p. 145)
  • Absence (p. 157)
  • Absence Revised (p. 165)
  • Beyond Absence (p. 177)
  • From Box to Behavior (p. 187)
  • Behavior Continued (p. 199)
  • Danger (p. 213)
  • Beyond Danger (p. 225)
  • Fact to Fiction (p. 239)
  • Fiction Continued (p. 253)
  • The Reinvention of Art (p. 265)

Author notes provided by Syndetics

Born in Seattle in 1941, Washington, Carter Ratcliff grew up in Michigan and Ohio. In 1963, he earned a B.A. in English from the University of Chicago. By 1967, he had settled in New York. His books on art include John Singer Sargent (Abbeville Press, 1982); Robert Longo (Rizzoli, 1985); The Fate of a Gesture: Jackson Pollock and Postwar American Art (Farrar, Straus, Giroux, 1996); and Andy Warhol: Portraits (Phaidon Press, 2007).

(Bowker Author Biography)

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