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Contemporary art in print : the publications of Charles Booth-Clibborn and his imprint the Paragon Press 1995-2000 / edited by Patrick Elliott; with an essay by Jeremy Lewison.

Contributor(s): Material type: TextTextPublication details: London : Booth-Clibborn Editions, c2001.Description: 343 p. : ill. ; 31 cmISBN:
  • 1861542100
Subject(s): DDC classification:
  • 769 BOO
Contents:
Contemporary British art in print? / Jeremy Lewison -- Emotional detoxification (1995) / Marc Quinn -- Show & tell (1996) / Richard Deacon -- Ten etchings (1996) / Peter Doig -- Enclosure & identity (1996) / Langlands & Bell -- Demolished (1996) / Rachel Whiteread -- A series of twelve prints by six artists (1996) / Bill Woodrow ... [et al.] -- North of Wales (1996) / Chris Ofili -- Grasshopper (1997) / Peter Doig -- Screen (1997) / Darren Almond ... [et al.] -- When I woke up in the morning, the feeling was still there (1997) / Angus Fairhurst -- Motif light (1998) / Christopher Le Brun -- Wounds and absent objects (1998) / Anish Kapoor --Portraits (1998) / Gary Hume -- Madron woodcuts (1998) / Terry Frost -- Kilometre theatre and seven other seminal architectural projects (1998) / Bruce McLean -- Between space and time (1999) / Ian McKeever -- The disasters of war (1999) / Jake & Dinos Chapman -- The brushwork series (1999) / Patrick Heron -- The last supper (1999) / Damien Hirst -- Orchard tambourines (1999) / Terry Frost -- The beekeeper (2000) / Bill Woodrow -- Exquisite corpse (2000) / Jake & Dinos Chapman -- Emulsion (2000) / Adam Lowe -- Spring angels (2000) / Gary Hume -- Garden² (2000) / Marc Quinn -- Catalogue commentary / Patrick Elliott.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 769 BOO (Browse shelf(Opens below)) 1 Available 39002000376724
Standard Loan LSAD Library Main Collection 769 BOO (Browse shelf(Opens below)) 2 Available 39002000376690

Enhanced descriptions from Syndetics:

Arguably the most significant book on printmaking published in the last five years, showcasing rare works on paper created for the Paragon Press by 25 leading artists -- including the Chapman brothers, Peter Doig, Damien Hirst and Gary Hume.

Includes bibliographical references and index.

Contemporary British art in print? / Jeremy Lewison -- Emotional detoxification (1995) / Marc Quinn -- Show & tell (1996) / Richard Deacon -- Ten etchings (1996) / Peter Doig -- Enclosure & identity (1996) / Langlands & Bell -- Demolished (1996) / Rachel Whiteread -- A series of twelve prints by six artists (1996) / Bill Woodrow ... [et al.] -- North of Wales (1996) / Chris Ofili -- Grasshopper (1997) / Peter Doig -- Screen (1997) / Darren Almond ... [et al.] -- When I woke up in the morning, the feeling was still there (1997) / Angus Fairhurst -- Motif light (1998) / Christopher Le Brun -- Wounds and absent objects (1998) / Anish Kapoor --Portraits (1998) / Gary Hume -- Madron woodcuts (1998) / Terry Frost -- Kilometre theatre and seven other seminal architectural projects (1998) / Bruce McLean -- Between space and time (1999) / Ian McKeever -- The disasters of war (1999) / Jake & Dinos Chapman -- The brushwork series (1999) / Patrick Heron -- The last supper (1999) / Damien Hirst -- Orchard tambourines (1999) / Terry Frost -- The beekeeper (2000) / Bill Woodrow -- Exquisite corpse (2000) / Jake & Dinos Chapman -- Emulsion (2000) / Adam Lowe -- Spring angels (2000) / Gary Hume -- Garden² (2000) / Marc Quinn -- Catalogue commentary / Patrick Elliott.

Table of contents provided by Syndetics

  • Foreword (p. 7)
  • Introduction (p. 9)
  • Contemporary British Art in Print? (p. 13)
  • Contemporary art in Print
  • Emotional Detoxification, 1995 (p. 24)
  • Show and Tell, 1996 (p. 36)
  • Ten Etchings, 1996 (p. 46)
  • Enclosure and Identity, 1996 (p. 60)
  • Demolished, 1996 (p. 68)
  • A Series of Twelve Prints By Six Artists, 1996 (p. 76)
  • North Wales, 1996 (p. 88)
  • Grasshopper, 1997 (p. 100)
  • Screen, 1997 (p. 112)
  • When I Woke up in the Morning, the Feeling Was Still There, 1997 (p. 124)
  • Motif Light, 1998 (p. 130)
  • Wounds and Absent Objects, 1998 (p. 136)
  • Portraits, 1998 (p. 146)
  • Madron Woodcuts, 1998 (p. 158)
  • Kilometre Theatre and Seven Other Seminal Architectural Projects, 1998 (p. 172)
  • Between Space and Time, 1999 (p. 188)
  • The Disasters of War, 1999 (p. 194)
  • The Brushwork Series, 1999 (p. 218)
  • The Last Supper, 1999 (p. 230)
  • Orchard Tambourines, 1999 (p. 244)
  • The Beekeeper, 2000 (p. 248)
  • Exqusite Corpse, 2000 (p. 260)
  • Emulsion, 2000 (p. 270)
  • Spring Angels, 2000 (p. 276)
  • Garden[superscript 2], 2000 (p. 286)
  • Catalogue Commentary (p. 303)
  • Appendix (p. 333)
  • Biographies and Bibliographies (p. 337)
  • Glossary of Print Terms and Techniques (p. 341)
  • Index (p. 343)

Author notes provided by Syndetics

Patrick Elliott has been Assistant Keeper at the Scottish National Gallery of Modern Art since 1989
Jeremy Lewison began his career as Curator of Kettle's Yard, Cambridge before moving to a curatorial post in the Print Department at the Tate Gallery in 1983. He became Deputy Keeper of the Tate's Modern Collection in 1990 and Director of Collections in 1998

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