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The gendering of art education : modernism, identity, and critical feminism / Pen Dalton.

By: Material type: TextTextPublication details: Buckingham [England] ; Phildelphia, Pa. : Open University, 2001.Description: vii, 184 p. ; 24 cmISBN:
  • 0335196489 (pbk.)
Subject(s): DDC classification:
  • 372.5 DAL
Online resources:
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 372.5 DAL (Browse shelf(Opens below)) 1 Available 39002100312231

Enhanced descriptions from Syndetics:

This book traces the main gendered themes of modernist art education from the nineteenth century to the present day.

In the period of industrial modernization, art education emphasised the importance of productive modes of creativity in 'making and doing' and promoted rational 'design processes' productive of masculine identities.

With the decline of industrial production and with the rise in leisure, services and consumption, art education has shifted its relevance to the more feminine skills of flexibility, management, responsiveness and combinatory modes of creativity. The Gendering of Art Education looks at the way art education has always been implicated in producing gendered identities for modernity's gendered divisions of labour.

Includes bibliographical references (p. [154]-175) and index.

Table of contents provided by Syndetics

  • Introduction
  • Theoretical perspectives
  • Nineteenth century contexts
  • Psychology in art education
  • Modernist art, and design education
  • The feminization of art education
  • Beyond gendering tactics and strategies
  • References
  • Index

Author notes provided by Syndetics

Pen Dalton is an artist working in critical feminist practice. She has a lifelong involvement in art education, as a student of modernist painting in London in the 1960s and as a schoolteacher. She now lectures in studio practice and critical theory at degree and postgraduate level.

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