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Manga and Anime go to Hollywood / Northrop Davis.

By: Material type: TextTextCopyright date: �2016Edition: First publishedDescription: XXVIII, 410 pagina's : illustraties ; 26 cmContent type:
  • tekst
Media type:
  • zonder medium
Carrier type:
  • band
ISBN:
  • 9781623561444
  • 1623561442
DDC classification:
  • 791.433 DAV
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 791.433 DAV (Browse shelf(Opens below)) Available 39002100632158

Enhanced descriptions from Syndetics:

The media industries in the United States and Japan are similar in much the same way different animal species are: while a horse and a kangaroo share maybe 95% of their DNA, they're nonetheless very different animals--and so it is with manga and anime in Japanese and Hollywood animation, movies, and television. Though they share some key common elements, they developed mostly separately while still influencing each other significantly along the way. That confluence is now accelerating into new forms of hybridization that will drive much of future storytelling entertainment. Packed with original interviews with top creators in these fields and illuminating case studies, Manga and Anime Go to Hollywood helps to parse out these these shared and diverging genetic codes, revealing the cross-influences and independent traits of Japanese and American animation.In addition, Manga and Anime Go to Hollywood shows how to use this knowledge creatively to shape the future of global narrative storytelling, including through the educational system. Northrop Davis paints a fascinating picture of the interrelated history of Japanese manga/anime and Hollywood since the Meiji period through to World War II and up to the present day -- and even to into the future.

Bloomsbury Academic is an imprint of Bloomsbury Publishing Inc.

Table of contents provided by Syndetics

  • Chapter 1 Wind from the East, Beginnings
  • Chapter 2 Early Major Influences of Hollywood on the Origins of Manga
  • Chapter 3 Manga/Anime's Art and Storytelling Forms
  • Chapter 4 Legal/Copyright and Structural Differences between Japanese and American Media Industries
  • Chapter 5 How Anime was Born and Invaded America
  • Chapter 6 Adaptations of Mangas and Animes for American Television and Live Action Movies
  • Chapter 7 Case Study - Battle Angel Alita
  • Chapter 8 Case Study - Hollywood's Live Action Remake of Astro Boy
  • Chapter 9 Case Study - In Defense of Speed Racer
  • Chapter 10 Differences between Japanese and American Feature Film Production Systems
  • Chapter 11 Case Study - History's Most Complicated and Interesting Adaptation Negotiation: The Train Wreck of Train Main
  • Chapter 12 Reverse Adaptations: Hollywood Movies Become Anime; Plus, Anime's Current Influence on American TV
  • Chapter 13 Manga in Academia .Appendix: Interviews

Author notes provided by Syndetics

Northrop Davis is Associate Professor of Media Arts, teaching Manga/Anime Studies and Screenwriting, at the University of South Carolina, USA. As a professional screenwriter, Davis has sold projects to Warner Brothers, Fox, and Sony/Columbia studios that he wrote as screenplays, and he is a member of the Writers Guild of America, West. Among his awards and grants from the University of South Carolina, he received the prestigious Michael J. Mungo Undergraduate Teaching Award and in 2015 was named a Breakthrough Star, awarded to those who demonstrate "phenomenal commitment" to their fields.

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