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Curriculum, culture, and art education comparative perspectives edited by Kerry Freedman, Fernando Hernandez

Contributor(s): Material type: TextTextSeries: SUNY series, innovations in curriculumPublication details: Albany State University of New York Press c1998Description: vii, 225 p. ill. 24 cmISBN:
  • 0791437736
  • 0791437744
Subject(s): DDC classification:
  • 375.7 FRE
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 375.7 FRE (Browse shelf(Opens below)) 1 Available 39002000179227

Enhanced descriptions from Syndetics:

Consisting of international case studies of art education, by scholars in different countries, this book analyzes the translation of cultural knowledge through curriculum policy and practice. Each chapter focuses on historical and cultural influences on educational ideas that have crossed national borders and been transformed in the process. The range of influence is wide and includes popular culture, national politics, and professional goals. The studies illustrate the many ways in which culture and curriculum are intertwined and tell us why we theorize, write policy, and develop curricula as we do.



This book makes clear the importance of both self-consciousness and mutual understanding in a global, professional community. Through analysis of cultural and cross-cultural relationships, the authors reveal vital, but often hidden, national and international interests in education. Students experience curricula through school subjects, and this book illustrates the importance of understanding the deep, socio-cultural character of that experience.

Includes bibliographical references (p. 193-212) and indexes

Table of contents provided by Syndetics

  • Acknowledgments (p. vii)
  • Introduction: Cultural Histories of a School Subject (p. 1)
  • Part I. State Regulation: Interest and Influence Across Social Boundaries
  • 1. Artistic, Cultural, and Political Structures Determining the Educational Direction of the First Japanese Schoolbook on Art in 1871 (p. 13)
  • 2. Australian Visual Arts Education: Long-Standing Tensions between Sociocultural Realities and Governmental Policy (p. 31)
  • 3. Teaching Drawing in Nineteenth-Century Canada--Why? (p. 47)
  • 4. Framing the Empty Space: Two Examples of the History of Art Education in the Spanish Political Context (p. 59)
  • Part II. Cultural Ideals: The Effects of Visions and Values
  • 5. The Importance of Modern Art and Art Education in the Creation of a National Culture: New York Roots (p. 77)
  • 6. From Art Making to Visual Communication: Swedish Art Education in the Twentieth Century (p. 91)
  • 7. Brazilian Connections between Fine Art and Art Teaching Since the 1920s (p. 107)
  • 8. Art Education and Social, Political, and Economic Changes in Morocco (p. 121)
  • Part III. Professionalization: Science, Policy, and Practice in the Formation of the Field
  • 9. From Imperialism to Internationalism: Policy Making in British Art Education, 1853-1944, with Special Reference to the Work of Herbert Read (p. 133)
  • 10. The Child Study Movement and Its Effects on Hungarian Art Education (p. 149)
  • 11. Rationales for Art Education in Chilean Schools (p. 165)
  • Conclusion: A Sociological Framework for International Art Education (p. 181)
  • References (p. 193)
  • About the Contributors (p. 213)
  • Name Index (p. 217)
  • Subject Index (p. 221)

Author notes provided by Syndetics

Kerry Freedman is Associate Professor of Art Education and Curriculum Studies in the Department of Curriculum and Instruction at the University of Minnesota

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