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Modigliani unmasked / Mason Klein ; with an essay by Richard Nathanson.

By: Contributor(s): Material type: TextTextPublisher: New York, NY : New Haven, CT : The Jewish Museum ; Yale University Press, [2017]Description: xi, 160 pages : color illustrations ; 31 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780300225495
  • 0300225490
Contained works:
  • Modigliani, Amedeo, 1884-1920. Drawings. Selections
Subject(s): DDC classification:
  • 759.5 MOD 23
LOC classification:
  • NC257.M6 A4 2017
Summary: "One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper." -- Publisher's description
Holdings
Item type Current library Call number Status Date due Barcode
Standard Loan LSAD Library Main Collection 759.5 MOD (Browse shelf(Opens below)) Available 39002100632760

Enhanced descriptions from Syndetics:

An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity

One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures.

An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper.

Includes bibliographical references.

"One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity and race within society. Placing these drawings within the context of the artist's larger oeuvre, Mason Klein reveals how Modigliani's preoccupation with identity spurred the artist to reconceive the modern portrait, arguing that Modigliani ultimately came to think of identity as beyond national or cultural boundaries. Lavishly illustrated with the artist's paintings and over one hundred drawings collected by Dr. Paul Alexandre, Modigliani's close friend and first patron, this book provides an engaging and long overdue analysis of Modigliani's early body of work on paper." -- Publisher's description

Published in conjunction with the exhibition Modigliani unmasked: drawings from the Paul Alexandre Collection, The Jewish Museum, New York, September 15, 2017 - February 4, 2018.

Author notes provided by Syndetics

Mason Klein is a curator at the Jewish Museum, New York. Richard Nathanson is an independent art adviser and an expert on Impressionism and 20th-century art.

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