Feminist art and the maternal / Andrea Liss.
Material type:
TextPublication details: Minneapolis : University of Minnesota Press, c2009.Description: xxi, 176 p. : ill. ; 26 cmISBN: - 9780816646234 (pb : alk. paper)
- 0816646236 (pb : alk. paper)
- 704.042 LIS
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Standard Loan | LSAD Library Main Collection | 704.042 LIS (Browse shelf(Opens below)) | 1 | Available | 39002100378455 |
Enhanced descriptions from Syndetics:
A highly engaging, taboo-breaking study of feminist contemporary art
Feminist motherhood is a surprisingly unexplored subject. In fact, feminism and motherhood have been often thought of as incompatible.
Profound, provocative, and innovative, Feminist Art and the Maternal is the first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture. Andrea Liss skillfully incorporates theory with passionate personal reflections on the maternal, and in doing so she advances a fresh and necessary perspective on both feminism and art.Offering new research on works by well-known and emerging artists who approach feminist motherhood issues from their own knowledge and experiences, Liss explores a wide range of examples from the challenging to the taboo, including Mary Kelly's Post-Partum Document, Mierle Laderman Ukeles's Maintenance Art projects, Renée Cox's Yo' Mama portraits, and Ngozi Onwurah's film The Body Beautiful. Liss considers traditional characteristics that mothers are assumed to possess, such as nurturing, empathy, and sacrifice for their children--qualities that paradoxically have negatively defined women as "sentimental"--and assertively revalues them within both motherhood and feminism. Throughout, she deftly intertwines theoretical analysis with the arresting and enlightening first-person voices of artist-mothers and their children.Putting forth an original ethics of feminism and the maternal--how to be in the place of the other and inside one's self, how to care for another and one's self--Liss reconceives the mother-child relationship as a model for relations among races, genders, and ages and radically reinterprets maternal traits as vital forms of social, artistic, and political address.Includes bibliographical references (p. 163-169) and index.
Introduction : thinking (m)otherwise : new bodies of knowledge -- Breaching the taboo -- Intersubjectivities : Mary Kelly\'s Post-partum document -- Maternal CARE : Mierle Laderman Ukeles\'s maintenance art -- Mamas out of place -- Making the maternal visible : Renée Cox\'s family portraits -- Loving in difference : Ngozi Onwurah\'s mother-daughter reflections -- Interlude : cultural and maternal notes on living through breast cancer -- Maternal mourning : a collaboration between Civia Rosenberg and May Stevens -- In lieu of a conclusion : Maternal passions.
Author notes provided by Syndetics
Andrea Liss is the contemporary art historian and cultural theorist at California State University, San Marcos, where her teaching focuses on feminist art and theory, photographic theory, and representations of memory and history. She is the author of Trespassing through Shadows: Memory, Photography, and the Holocaust (Minnesota, 1998).