Lines of vision : Irish writers on art / edited by Janet McLean.

Enhanced descriptions from Syndetics:

'The paintings were windows through which I could see snippets of other people's past lives, and in doing so recognize something of my own.' So muses Christine Dwyer Hickey in her response to The Goose Girl by Stanley Royle in a collection of new writing that brings together two celebrated traditions: art and literature.

More than fifty acclaimed Irish novelists, playwrights and poets have selected pictures from the National Gallery of Ireland as setting-off points to explore ideas and tell stories about art, love, loss, family, dreams, memory, places and privacy. The artworks and the literary responses to them are wonderfully vibrant in their diversity.

'The paintings were windows through which I could see snippets of other people's past lives, and in doing so recognize something of my own.' So muses Christine Dwyer Hickey in her response to The Goose Girl by Stanley Royle. Seamus Heaney finds quiet beauty in a canal path by Gustave Caillebotte; Roddy Doyle gives voice to a man in a crowd painted by Jack B. Yeats; Colm Tóibín considers a portrait redolent with possibilities by John Butler Yeats; John Banville sheds light on Caravaggio's darkness; Jennifer Johnston recollects colourful mealtimes by way of Bonnard; Kevin Barry tells the tale of a bittersweet fairground encounter, stirred by Ernest Procter's The Devil's Disc ; Colum McCann visualizes women workers in wartime factories via Mary Swanzy's abstract Propellers; Paula Meehan poignantly presents the postwar world inhabited by Irish artist Gerard Dillon.

Each of the writers in Lines of Vision creates and connects vividly with other worlds - observed, remembered and imagined. Perceptive and, at times, deeply personal, their creative responses to pictures invite us to look at art in new lights and from different angles.

Table of contents provided by Syndetics

• Foreword (p. 7)
• Preface (p. 8)
• I remember those days (p. 14)
• Caravaggio's The Taking of Christ (p. 18)
• Determination (p. 24)
• On the Devil's Disc (p. 26)
• St Jerame by Bartolomeo Passarotti (p. 30)
• Jack B. Yeats's Grief (1951) (p. 34)
• Gallery (p. 36)
• The Poachers (p. 40)
• The Singing Horseman (p. 44)
• What Happens at Night (p. 48)
• Cordélie (p. 53)
• Paul Henry, Moonlight (p. 58)
• Night Prayer (p. 60)
• William Mulready's The Sonnet (p. 64)
• Ernest Meissonier, Cavalry in the Snow: Moreau and Dessoles before Hohenlinden (p. 68)
• A Morning in a City (p. 72)
• A Painting and a Poem (p. 76)
• The NGI Guide (p. 80)
• Jack B. Yeats's The Liffey Swim (1923) (p. 85)
• Crucifixion (p. 90)
• Vacances (p. 94)
• The Return from the Market (p. 96)
• Banks of a Canal (p. 100)
• The Goose Girl (p. 102)
• The Return of the Goats by John Lavery (p. 107)
• Le Déjeuner (p. 111)
• James Arthur O'Connor, Ballinrobe House (p. 114)
• Paintings (p. 118)
• Before the Start (p. 120)
• Launching the Currach (p. 124)
• Propellers (p. 128)
• James Barry, Self-Portrait as Timanthes (p. 130)
• The Director of Sunlight (p. 134)
• A White Horse (p. 140)
• Magdalene, Alice Maher (p. 142)
• Artist's Studio, Abbey Road (p. 146)
• El Greco's St Francis Receiving the Stigmata (p. 150)
• Charles Emile Jacque: Poultry Among Trees (p. 154)
• Men of Destiny (p. 162)
• A Musicians' Gallery (p. 166)
• Castles in the Air (p. 170)
• After Gulliver (p. 176)
• Memo to a Painter (p. 180)
• The Lamentation over the Dead Christ (p. 184)
• The Kitchen Maid (p. 188)
• Argenteuil (p. 190)
• Child's Play (p. 192)
• Onuphrius (p. 196)
• Grace (p. 198)
• The Anniversary (p. 202)
• Brueghel: The Wedding in the Barn (p. 208)
• John B. Yeats (p. 212)
• Stepped into Allegory (p. 216)
• Members of the Sheridan Family (p. 218)
• The Piper in the Snow (p. 222)
• Lost Angels (p. 224)
• Acknowledgments (p. 228)
• Credits (p. 228)
• Index (p. 229)

Author notes provided by Syndetics