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Realism in 20th century painting / Brendan Prendeville.

By: Material type: TextTextPublication details: New York, N.Y. : Thames & Hudson, c2000.Description: 224 p. : ill. (some col.) ; 21 cmISBN:
  • 0500203369
Other title:
  • Realism in twentieth century painting
Subject(s): DDC classification:
  • 759.06 PRE
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Standard Loan LSAD Library Main Collection 759.06 PRE (Browse shelf(Opens below)) 1 Available 39002000396086

Enhanced descriptions from Syndetics:

This first ever survey of the subject demonstrates that realism has had a continuous yet restlessly changing place in American and European painting throughout the twentieth century--from Eakins, Bellows, and Homer, through Vuillard, Bonnard, Schiele, Morandi, Hopper, and Giacometti, to Balthus, Lucian Freud, and David Hockney. Most accounts of twentieth-century art have tended to overlook the persistent, diverse, vibrant, and powerful presence of realist painting. Brendan Prendeville discusses the historical, artistic, and critical contexts in which painting has taken a realist turn, from the Ashcan School to Soviet Socialist Realism, from painting of the Existentialist era to the time of Photorealism. In this period, he argues, the western tradition of pictorial realism has in fact been renewed and modified through the diverse influences of modernism, political conflict, and new visual technologies. 180 illustrations, 80 in color.

Includes bibliographical references and index.

Table of contents provided by Syndetics

  • Introduction: Realism and its Meanings (p. 6)
  • Chapter 1 The Realism of Modernism: From the Turn of the Century to the First World War (p. 13)
  • Chapter 2 Between Wars: Realism, Modernity and Politics (p. 54)
  • Chapter 3 From War to Cold War (p. 108)
  • Chapter 4 New Realities (p. 155)
  • Select Bibliography (p. 214)
  • List of Illustrations (p. 218)
  • Index (p. 222)

Author notes provided by Syndetics

Brendan Prendeville lectures in art history and visual culture at Goldsmiths College, University of London. He has published widely on realist painting, phenomenology and visual theory, and has curated exhibitions on associated themes.

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