Venus in exile : the rejection of beauty in twentieth-century art / Wendy Steiner.

Enhanced descriptions from Syndetics:

In "Venus in Exile" renowned cultural critic Wendy Steiner explores the twentieth century's troubled relationship with beauty. Disdained by avant-garde artists, feminists, and activists, beauty and its major symbols of art--the female subject and ornament--became modernist taboos. To this day it is hard to champion beauty in art without sounding aesthetically or politically retrograde. Steiner argues instead that the experience of beauty is a form of communication, a subject-object interchange in which finding someone or something beautiful is at the same time recognizing beauty in oneself. This idea has led artists and writers such as Marlene Dumas, Christopher Bram, and Cindy Sherman to focus on the long-ignored figure of the model, who function in art as both a subject and an object. Steiner concludes "Venus in Exile" on a decidedly optimistic note, demonstrating that beauty has created a new and intensely pleasurable direction for contemporary artistic practice.

Table of contents provided by Syndetics

• Acknowledgments
• List of Illustrations
• Proem Psyche's Pleasure
• Chapter 1 The Monster Sublime
• Chapter 2 The Burden of the Image
• Chapter 3 The Infamous Promiscuity of Things and of Women
• Chapter 4 The Quotation of Beauty
• Chapter 5 The Bride of Frankenstein: At Home with the Outsider
• Chapter 6 A Judgment of Paris
• Conclusion
• Modeling Beauty
• Notes
• Index